Aaron Vincent nació en Londres en 1970 y reside en Madrid. Formado como arquitecto en la Escuela Técnica Superior de Arquitectura de Madrid, es profesor de inglés, corrector y traductor especializado en teatro y musicología. Su interés principal es el teatro lírico y siente especial predilección por la ópera barroca y la zarzuela, en todas sus etapas y formatos. Es habitual de las temporadas musicales de Madrid y París. Ha colaborado con Filomúsica y Mundoclásico
Aina Vega (Flix, 1984) is PhD in Philosophy of Music (Pompeu Fabra University) with the thesis The artistic ethos in Arnold Schönberg and the dialogue with Adrian Leverkühn. Part of her research was carried out in the Arnold Schönberg Center (Vienna) in 2012/13. She obtained the Advanced Certificate Studies UPF with a thesis on Schönberg and Schopenhauer and is Bachelor in Humanities (UPF). Specialized in Contemporary music and opera, she has a relevant career as cultural journalist and cultural manager (she is Master in Arts and Culture Management, Rome Business School). She has been working for institutions such as Liceu Barcelona, Auditorio de Tenerife and Palau de la Música Catalana.
Atsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to finance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.
Pendant trente ans, Alain Lompech, né en 1954, a été critique musical et journaliste au Monde de la musique puis au Monde, dont il a été chef des pages « Art et Spectacles » puis chef d'édition, tout en tenant la chronique « Jardins » du quotidien. Il a produit de nombreuses émissions sur France Musique, station dont il a été le directeur adjoint et chef des programmes, et où il est l'un des membres réguliers de « La Tribune des critiques de disques ». Il publie chaque mois des critiques de disques dans le mensuel Diapason. Alain Lompech a publié le premier volume des Grands pianistes du XXe siècle, chez Buchet-Chastel, et travaille à la rédaction du deuxième volume.
Albert Ferrer Flamarich (Barcelona, 1983). Historiador del arte y musicógrafo (Universitat Barcelona) que desde el año 2000 ha participado en numerosos de medios de comunicación escrita y de radio, editando un modesto boletín sobre zarzuela (2002-06). Trabajó para la discográfica Columna Música (2008-2013) y desde 2009 ofrece regularmente conferencias. Ha sido profesor en Universidad Catalana d’Estiu en Prada de Conflent (2015), Conservatorio de Sant Cugat del Vallès (2019) y Campus de la Experiència de la Universitat Internacional de Catalunya (2019-2021). Es revisor y asesor de editoriales musicales, ha impulsado la publicación de títulos en español y actualmente coordina la serie sobre Eduard Toldrà para Dinsic Publicaciones Musicales.
Alex is a London-based ballet teacher. He began training at the Suzanna Raymond School of Dance and graduated from Central School of Ballet. For 15 years, he danced for companies in Austria, Spain and Germany, including Ballet de Zaragoza. Since 2015, Alex has taught in the UK at London Studio Centre, Gielgud Academy of Performing Arts, CityLit and the RAD Dance School. He contributed articles to the Dancing Times between 2018 – 2020. Recently, he initiated an award which enables dance students to see live ballet performances, in memory of his teacher, John O’Brien (former Rambert dancer and Dance Books founder.
Alexandra hat Medienwissenschaften studiert und arbeitet als Filmproduzentin in Frankfurt. Tagsüber sind die Kunstausstellungen und Museen ganz Europas ihr zu Hause. Die Abende verbringt sie gern in der Oper und im Konzertsaal. Hier liegen ihre Schwerpunkte bei Romantischen Komponist*innen, wie Schubert und Wagner. Aber auch zeitgenössische und moderne Musik finden immer wieder Beachtung.
Professor Alexandra Wilson is a musicologist and cultural historian, with a particular interest in opera. Her books include The Puccini Problem, Puccini’s La bohème, Opera in the Jazz Age, and an edited volume, Puccini in Context. She writes regularly for publications including BBC Music Magazine, Opera and The Critic, as well as for national newspapers, and has contributed essays to the programme books of all the UK’s major opera companies and many abroad. She has taught at the University of Oxford, the Open University, and for 18 years was on the staff at Oxford Brookes University.
Periodista, investigador, productor de discos y conferencista chileno. De formación musical autodidacta, ha ejercido la crítica en medios escritos y digitales, así como también en radio, con un especial énfasis en la nueva música y la difusión de los compositores de su país.
Anaïs-Nour est une compositrice, performeuse et guitariste. Passionnée par la création transdisciplinaire, elle lie différentes disciplines telles que les marionnettes, la danse, la vidéo et le théâtre, à la composition instrumentale et électronique. Lors de son master (classe de Wolfgang Heiniger, HFM Hanns Eisler de Berlin), elle mène ses recherches sur l'écologie acoustique et se spécialise dans l’analyse et la composition des paysages sonores. Elle compose pour de nombreux projets en collaboration avec diverses institutions culturelles et artistes internationaux tels que: l'ensemble Cairn, le quatuor canadien Quasar, Wilhem Latchoumia, l’ensemble berlinois KNM, la Philharmonie de Paris, le GRAME de Lyon, le collectif Klangzeitört à Berlin...
Andrea Lorenzo Lancho comenzó estudiando piano en su niñez con clases particulares y autodidactas. Continuó formándose con el grado de Musicología en la Universidad de Salamanca y posteriormente cursó el Máster de Música Hispana en dicha universidad. Durante su formación universitaria participa en proyectos sobre la transmisión oral de la figura de la mujer en la música popular, iconografía musical y la creación de bandas sonoras. Actualmente colabora con revistas de folklore, e investiga sobre las bandas sonoras, el traspaso de la música popular y la difusión de la música clásica en los medios de comunicación.
Andrew Larkin is a pianist, composer and teacher from Dublin. Educated at Dublin and at Cambridge, he has performed all around Europe and Mexico. He currently teaches piano and composition in Dublin.
Anna Bogdanova is an Athens-based freelance writer whose work spans brand strategy, journalism, essay, and fiction. She has been a serious devotee of opera and ballet for almost twenty years and is a regular at the Greek National Opera, with particular interest in contemporary stagings of canonical work.
Antonio D’Amato is an Italian freelance journalist and international music critic based in The Hague, Netherlands. With over 20 years of experience, he specialises in classical music reviews, interviews and press services. He holds a Master’s degree in Economic Journalism. A skilled ghost writer, he was nominated and awarded at the Libreria Piave literary contest in Rome (2014) for best plot. Passionate food blogger and expert in Italian cuisine, he is also an avid collector of historical recordings and vintage high-fidelity audio equipment. He teaches Italian language, sharing his love for culture.
Maître de conférences en histoire ancienne à l'Institut Catholique de Toulouse, Arnaud enseigne également à l'Université Toulouse II et à l'Institut National Universitaire d'Albi. Passionné de musique, violoniste et pianiste, il a poursuivi en parallèle de ses études en histoire un cursus au Conservatoire de Toulouse et y a obtenu plusieurs prix. Ses recherches portent sur l’histoire des religions antiques et notamment sur l’utilisation de la musique dans le cadre des cultes polythéistes.
Asher Rubenstein is a London-based pianist, studying Music at the University of Cambridge. He writes regularly for International Piano and volunteers at music festivals such as La Roque d’Anthéron. A devoted concertgoer and unapologetic pianophile, he’s on a mission to hear as many of the greats as time (and money) will allow. When absent from the concert hall, Asher can usually be found baking – and swimming to burn off his efforts.
Incapable de départager musique et littérature dans sa vie, Beate a décidé de se consacrer passionnément aux deux. La maîtresse de conférences en littérature française (Moyen Âge) et soprano allemande parcourt le monde pour ses recherches comme pour chanter, avec son trio de musique de chambre, en soliste ou en choeur. Ses années d'expériences instrumentales (piano, flûte, guitare) n'ont que très modérément entravé son amour inconditionnel de la voix et du répertoire choral en particulier.
Ben Lunn is a composer, trade unionist, and disabled campaigner who has written about many areas of music including the work of Horaţiu Rădulescu, Baltic composers, and music and disability. He is a regular contributor to the Morning Star and Culture Matters, and he has been published internationally in both academic and journalistic publications, including in Lived Experiences of Ableism in Academia (Policy Press, 2021), edited by Nicole Brown.
Ben Shailer is a London-based singer, studying Music at Girton College, Cambridge. At university, he spends his time conducting or composing for a variety of student ensembles, whilst fostering a particular passion for English music of the 20th century. Outside of term time, he enjoys singing with the Rodolfus Choir in London and can often be found listening to Lieder at Wigmore Hall.
Benedikt hat in München Musik und Jura studiert und dann an der LSE einen MSc in Global Market Economics erworben. Er spielt nach wie vor regelmäßig und begeistert Kammermusik, vorzugsweise als Geiger oder Bratscher im Streichquartett. Benedikt liebt jede Art klassischer Musik, und zwar besonders Kammermusik mit Streichern, Klavier, gerne auch mit Gesang, Orchesterkonzerte und schließlich die Oper.
Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.
Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.
Carlota Moseguí nació en Barcelona y reside en Madrid. Tras formarse en Humanidades ejerce la crítica musical y cinematográfica. También es gestora cultural. En los últimos años ha trabajado en festivales, museos, salones de arte e instituciones públicas como programadora y asesora cultural.
Dr. Chanda VanderHart is a pianist, musicologist and creative who lives, works and plays in Vienna, Austria. For more on Chanda and her projects, click here.
Chang Tou Liang, a native of Singapore, is a family physician by profession. Actively following the
classical music scene in Singapore since 1979, he has been a music reviewer of The Straits Times
from 1997, contributing over 2300 articles to the national daily. He was also editor of several local
musical newsletters and served as Artistic Director of the Singapore International Piano Festival
from 2004 to 2008. His blog Pianomania has covered international piano competitions and musical events in four continents. He has a keen interest in travelling, street food and cat photography.
Chantal has a background in ballet and contemporary dance, and was the first Australian to complete the International Baccalaureate Diploma Programme in Higher Level Dance. She has completed violin studies, and plays regularly in Sydney ensembles. She also dabbles in folk songs and subversive musical parody.
Charlotte Gardner is a music critic and journalist regularly to be found in specialist music publications including Gramophone (where she specialises in strings and Baroque), The Strad and Classical Music magazine, and writing concert programme notes for organisations including the Royal Scottish National Orchestra. Before turning to writing she spent eight years at the BBC, the final years of which were in News, on BBC Radio 4’s Today programme. She holds a Music MA from the University of Cambridge.
Après des études d’histoire de la musique au CRR de Paris et de musicologie à l’EHESS avec pour ce sujet de recherche les compositeurs-chefs d’orchestres, Chloë Rouge devient enseignante de formation musicale au conservatoire Maurice Ravel du 13e arrondissement de Paris. Particulièrement intéressée par la musique contemporaine et la médiation de la musique, elle commence la critique musicale pour le journal Altamusica et rédige des notes de programme pour différentes institutions (Festival de La Chaise-Dieu, Radio France). Depuis 2024, elle fait partie de la commission musique contemporaine de l’Académie Charles Cros.
Chris Garlick is the co-founder of Signal Gallery in Hoxton. His first degree was in music, training as a classical composer. Chris has written about art frequently in Art of England magazine, Artist and Illustrator for online blogs.
