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By Bachtrack webmaster, 27 February 2017

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Deborah Weiss, 25th May

Two vivid debuts as Colas, marked the second revival of La Fille mal gardée this season at The Royal Ballet.

****1

Sumptuous Sheffield Chamber Music Festival finale

Phil Parker, 25th May

Ensemble 360 and soprano Claire Booth test to the limits the definition of ‘chamber music’ in this richly orchestral closing concert of the 2026 Sheffield Chamber Music Festival.

****1

Superb musical performances in Pinchgut's Scarlatti rarity in Sydney

Sandra Bowdler, 25th May

As usual, Pinchgut lavishes musical excellence on an obscure Baroque work... but why stage an oratorio?

****1

Mozart and Salieri under the spotlight in Graf’s Singapore farewell

Chang Tou Liang, 25th May

Mozart is pitted against his ”fatal rival" Salieri in Hans Graf's farewell concert as Music Director of the Singapore Symphony Orchestra.

****1

A noble Norma trapped in a hollow dystopia

Andrew Larkin, 24th May

Salome Jicia delivers a vocally impressive and emotionally committed Norma, but Orpha Phelan’s post-apocalyptic staging fatally weakens Bellini’s sacred tragedy.

***11

At NYCB, Fairchild bids adieu in her final performances of Coppélia

Leigh Donlan, 24th May

Megan Fairchild pours her heart into her final performances of Coppélia at New York City Ballet.

*****

Bachtrack webmaster