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On singing and communicating, from a choral director

By Phil Wilcox, 29 March 2019
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Top ten tips for the amateur choral singer

By Phil Wilcox, 26 March 2019
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John Nelson © Marco Borggreve

Berlioz 150: John Nelson on the Requiem

By , 27 February 2019
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Michael Spyres © Marco Borrelli

Berlioz 150: “Above all, vibrate!” Michael Spyres on singing Berlioz’ tenor roles

By , 26 February 2019
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Antoine Tamestit © Julien Mignot

Berlioz 150: Antoine Tamestit on becoming the narrator in Harold in Italy

By , 11 February 2019
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Sir Roger Norrington © Manfred Esser

Berlioz 150: Sir Roger Norrington on “The amazing Fantastique

By , 04 February 2019
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Mark Wigglesworth © Benjamin Ealovega

Gained in Translation: In defence of ENO’s Opera in English policy

By , 09 January 2019
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Roderick Williams © Benjamin Ealovega

“What language do you like singing in best?”: Roderick Williams on Schubert's Winterreise

By , 04 January 2019
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Jamie Barton © Fay Fox

Jamie Barton: top ten Verdi mezzos

By , 16 November 2018
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Privacy notice

By , 25 May 2018
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Handel's music room at Handel House © Handel House

Top ten Handel places to visit in London

By Katharine Hogg, 05 February 2018
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Terms for writing articles and reviews for Bachtrack

By , 01 September 2017
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Bachtrack At Home Troubleshooting

By , 01 May 2017
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Archive: Previous Privacy Policy

By , 12 January 2016
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Welcome to Mark Pullinger, our new editor

By , 11 February 2014
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Britten at 100: The Legacy of Britten and Pears

By , 07 November 2012
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Young Reviewer: Charles Hazlewood’s ‘Orchestra In A Field’ – Sunday Review

By , 09 July 2012
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Young Reviewer: Charles Hazlewood’s ‘Orchestra In A Field’ – Saturday Review

By , 09 July 2012
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Young Reviewer: Scottish Opera at the Edinburgh Festival Theatre – Tosca

By , 06 June 2012
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Young Reviewer: Scottish Opera – Hansel and Gretel

By , 23 February 2012
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