Over a century after its premiere, Stravinsky's The Rite of Spring still has the power to shock. Vasily Petrenko offers insights, while Tamara Rojo reflects on one of the most powerful choreographies, the version by Pina Bausch.
The total timing of the music on the Los Angeles Philharmonic’s season premiere was barely an hour long. On the page the line-up looked strange. First half: Ravel’s Pavane pour une infante défunte and the world premiere of a work by local composer Steven Stucky. The second half: Stravinsky’s Rite of Spring.
****1
Sign in to use alerts, your personal diary/wishlist, to save your recent searches, to comment on articles and reviews or if you want to input events.
Please fill in your email address, then click on one of the two buttons.