Principal contrabassist of the Royal Stockholm Philharmonic Orchestra talks about why Mahler’s restless and volatile First Symphony is a highlight of any orchestra season.
If it wasn't for Anton Stadler, would Mozart have been inspired to write such great works for the clarinet, giving the instrument a new place in the spotlight?
Sous la direction de Sakari Oramo, l'Orchestre Philharmonique Royal de Stockholm propose une Symphonie n° 1 de Mahler bien morne. Compensée heureusement par la clarinette stratosphérique de Martin Fröst dans Mozart.
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