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El Liceu y el relevo generacional con Òh!pera: la apuesta por los nuevos talentos

By Maria Sánchez, 14 July 2022
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Reviewed at Gran Teatre del Liceu: Foyer, Barcelona on 10 July 2022
Programme
Giménez-Comas, Shadow. Eurydice Says
Migó, The Fox Sisters
Río-Pareja, Entre los árboles
Santcovsky, L'ocell redemptor
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Sumptuous Sheffield Chamber Music Festival finale
Phil Parker, 23rd May

Ensemble 360 and soprano Claire Booth test to the limits the definition of ‘chamber music’ in this richly orchestral closing concert of the 2026 Sheffield Chamber Music Festival.

****1
More gold than corn: María Dueñas plays Korngold at the Barbican
Mark Pullinger, 22nd May
The young Spanish violinist proves an ardent advocate for a work originally dismissed as a “Hollywood Concerto” as the BBC Symphony Orchestra closes its Barbican season.
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Memorable Mendelssohn from Marek Janowski and the New York Phil
Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony. 

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The ears have it: Purcell’s Dido and Aeneas on the Cutty Sark
Mark Valencia, 21st May
Come away fellow sailors, your anchors be weighing! All board the Cutty Sark for a semi-staging of Purcell's Dido and Aeneas with the Monteverdi Choir and English Baroque Soloists.
****1
Intimate colossus: Daniil Trifonov with the Rotterdam Philharmonic
Max Lima, 21st May

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores. 

****1
Heavenly Mahler – and Strauss – from Lucy Crowe and the LSO
Roy Westbrook, 21st May
Songs and symphonies from Sir Simon Rattle and the London Symphony Orchestra, concluding with a vision of “heavenly life” from Gustav Mahler. 
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José Río-ParejaNúria Giménez-Comas
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Maria Sánchez
Maria Sánchez
Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.