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Entre ballets y pantomimas, Jordi Savall y Le Concert des Nations regresan al Palau de la Música en un concierto extraordinario

By Maria Sánchez, 16 February 2023
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Reviewed at Palau de la Música, Barcelona on 15 February 2023
Programme
Rebel, Les Élémens
Handel, Water Music, Suite no. 1 in F major, HWV 348
Gluck, Don Juan: Suite
Performers
Le Concert des Nations
Jordi Savall, Conductor
More Concert reviews
Savall conducts Beethoven and Haydn at the Elbphilharmonie
Mengguang Huang, 3rd April
Beethoven's Christus am Ölberge is paired with Haydn's Die sieben letzten Worte, a journey from agony to transcendence in which the agony proves the more honest companion.
***11
In Berlin, Jordi Savall stars in a Mozart double-bill
Elena Luporini, 16th March
The Catalan conductor and his Concert des Nations bring an all-Mozart programme to the Berlin Philharmonie, with the help of the basset clarinet. 
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Ballet du Capitole’s double bill: a glorious musical feast
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The conducting of Jordi Savall thrills during the Ballet du Capitole's double bill of ballets by Gluck.

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Le Concert des Nations: Ravel for the ages at Saint-Jean-de-Luz
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Jordi Savall explores the music of Maurice Ravel within the context of the French Baroque and beyond. 
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A garden of musical delights: La clemenza di Tito at the Mozartwoche
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While the semi-staging falters, Hanna-Elisabeth Müller and Magdalena Kožená prove a thrilling pair in Mozart's final opera seria. 
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At the Salzburg Festival, Savall pairs two of Beethoven's most revolutionary symphonies in fiery performances. 
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More reviews...
Read reviews of
Christoph Willibald GluckDon Juan: SuiteGeorge Frideric HandelJean-Féry RebelJordi SavallLe Concert des NationsLes ÉlémensWater Music, Suite no. 1 in F major, HWV 348
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Maria Sánchez
Maria Sánchez
Nacida en Barcelona, se formó musicalmente a una edad temprana y de manera autodidacta. Graduada en Historia del Arte (Universitat de Barcelona) y posteriormente formada en el máster Música como Arte Interdisciplinar (Universitat de Barcelona / ESMUC / Universitat Rovira i Virgili), se especializó en el estudio y creación de nuevos lenguajes escénicos y musicales. Ha llevado a cabo la creación de proyectos dramatúrgicos en torno a la reformulación del mito clásico en las artes escénicas contemporáneas, eje vertebral de sus estudios. En la actualidad, continúa proyectando nuevos discursos y planteamientos sobre la supervivencia del mito en lo social y lo artístico.