Revivir la leyenda: Martha Argerich y la Kremerata Baltica

By Leonardo Mattana Ereño, 27 November 2019

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“Argerich se enfrentó a las desafiantes octavas iniciales con una decisión y dominio ejemplares”

Reviewed at Auditorio Nacional de Música, Madrid on 26 November 2019

Bach, Violin Partita no. 2 in D minor, BWV1004: Chaconne arr. Busoni (versión orq. cuerda de G. Kremer)

Weinberg, Chamber Symphony no. 4, Op.153

Bach, Partita no. 2 in C minor, BWV826

Chopin, Piano Concerto no. 1 in E minor, Op.11 (arreglo de Gilles Colliard)

Martha Argerich, Piano

Mate Bekavac, Clarinet

Kremerata Baltica

Two to tango: Gidon Kremer celebrates Piazzolla in Prague

Frank Kuznik, 22nd November

With superb support from Kremerata Baltica and a smart set of soloists, Gidon Kremer continues a love affair that began 25 years ago.

*****

From tangos to Viennese cafés at Hamburg's Martha Argerich Festival

Linda Holt, 25th June

Piazzolla rubs shoulders with Lanner and Kreisler at the Martha Argerich Music Festival in Hamburg's Laeiszhalle.

****1

Ghostly remembrances: Weinberg championed in Birmingham

Mark Pullinger, 24th November

Nearly a century after his birth, Weinberg's final completed symphony is given its UK premiere by the CBSO and Mirga Gražinytė-Tyla.

****1

Bach goes Baltic: Kremerata Baltica at the Elbphilharmonie

Alexander Hall, 12th November

An intriguing combination of three contemporary Baltic composers matched against Bach, delivered with consummate musicianship by Kremerata Baltica.

*****

Gidon Kremer at Prague Spring: political consciousness and superb musicianship

Frank Kuznik, 16th May

Gidon Kremer brought the latest version of his Kremerata Baltica ensemble to Prague Spring on Friday night for more than a concert., in which he proved there is still no one quite like him who combines political consciousness with superb musicianship.

****1

Dépouillement et vérité chez Arvo Pärt, avec Gidon Kremer et la Kremerata Baltica à la Fondation Louis Vuitton

Manuel Gaulhiac, 31st March

Avec Fratres et Tabula Rasa, c’est un nouveau chemin qui s’ouvre à la musique. Mais plus qu’un chemin de la nouveauté, c’est le chemin d’un retour à une certaine forme de pureté de l’inspiration, qui passe dans l’écriture et la réalisation par une économie de moyens.

****1

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Leonardo Mattana Ereño

Leonardo Mattana (1988) es Doctor en filosofía por la Universidad Autónoma de Madrid. También ha cursado estudios de piano, composición, teoría musical e historia de la música en el conservatorio de Sassari (Italia). Sus pasiones musicales son trasversales, privilegiando la música sinfónica y de cámara, pero sobre todo, buscando siempre en la experiencia estética de la música elementos de reflexión.