Jan Lisiecki, o de la aporía de la naturalidad

By Leonardo Mattana Ereño, 12 December 2018

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Reviewed at Auditorio Nacional de Música, Madrid on 11 December 2018

Chopin, 2 Nocturnes, Op.55

Schumann, 4 Nachtstucke for piano, Op.23

Chopin, Andante spianato et Grande Polonaise brillante, Op.22

Rachmaninov, Cinq Morceaux de fantasie, Op.3

Chopin, Nocturne no. 19 in E minor, Op.72 no.1

Chopin, Scherzo no. 1 in B minor, Op.20

Jan Lisiecki, Piano

Wiener Symphoniker parties in style at the Concertgebouw

Clare Varney, 3rd November

Jan Lisiecki joins Petr Popelka and the touring Wiener Symphoniker at the Concertgebouw for Grieg's Piano Concerto.

****1

Seoul Arts Center: Renes and Lisiecki play Beethoven and Mahler

SangKwon Lee, 10th August

After Jan Lisiecki clarifies the architecture of Beethoven's Third Piano Concerto, Renes' Mahler felt like a letter written in the dark.

***11

An awesome Rite of Spring from Aziz Shokhakimov in Strasbourg

David Karlin, 25th April

The Uzbek conductor shows that he's a force to be reckoned with, revealing unimaginable amounts of detail in Stravinsky's score. Jan Lisiecki gives a carefully weighted account of Mozart.

****1

Peter Oundjian bridges the centuries in Seattle

Erica Miner, 15th March

The Seattle Symphony co-commissions a new work, Jan Lisiecki plays Mozart with religious fervor, and Stravinsky's Sacre still creates an uproar.

***11

Elim Chan commands powerful Prokofiev with Pittsburgh Symphony

Sam Jacobson, 7th March

The debutante conductor made her mark in Prokofiev, with Jan Lisiecki joining in for Mozart.

****1

Season opener places the Toronto Symphony Orchestra centre-stage

Michelle Assay, 25th September

Gustavo Gimeno kicks off the TSO’s new season with new perspectives on the familiar and not-so-familiar

***11

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Leonardo Mattana Ereño

Leonardo Mattana (1988) es Doctor en filosofía por la Universidad Autónoma de Madrid. También ha cursado estudios de piano, composición, teoría musical e historia de la música en el conservatorio de Sassari (Italia). Sus pasiones musicales son trasversales, privilegiando la música sinfónica y de cámara, pero sobre todo, buscando siempre en la experiencia estética de la música elementos de reflexión.