Bachtrack logo
What's on
All eventsConcertsOperaDanceKids eventsMasterclassesCompetitionsFestivals
Reviews
All reviewsConcert reviewsOpera reviewsDance reviews
Articles
All articlesFeaturesInterviewsOpinionPlaylists
News
Video
Video homeAll videoStreamed eventsConcertsOperaDanceKids eventsMasterclassesPublishers
Site
About usContact usLink to usConditions of useCookiesPrivacy
Young artists
Travel
EventsReviewsArticlesVideo

Desviaciones barrocas: el hilo que une Mendoza, Shostakovich y Brahms

By Leonardo Mattana Ereño, 22 May 2022
Loading, please wait...
See full listing
Reviewed at Auditorio Nacional de Música, Madrid on 21 May 2022
Programme
Mendoza, Stilleben mit Orchester (Estreno absoluto. Encargo OCNE)
Shostakovich, Violin Concerto no. 1 in A minor, Op.77 or Op.99
Brahms, Symphony no. 4 in E minor, Op.98
Performers
Karen Gomyo, Violin
Orquesta Nacional de España
David Afkham, Conductor
More Concert reviews
Two opposing Rites in Madrid
Fernando Remiro, 4th December
The latest concert by the Spanish National Orchestra was a fascinating opportunity to explore the contrast between Wagner and Stravinsky.
***11
The gracious magician: Ton Koopman in Bach
Laura Furones, 25th January
Ton Koopman's distinctively lively tempi, coupled with a contagious delight to be making music, has a fairly magnetic effect when conducting Bach's Mass in B minor.
***11
A diabolic concert for Hallowe'en
Alberto Hernández Mateos, 31st October
Giovanni Antonini and the Baroque Ensemble of the Orquesta Nacional de España perform Boccherini's "La Casa del Diavolo" on Hallowe'en night.
****1
Ginastera’s Estancia the highlight of a journey through three different types of classicism
Alberto Hernández Mateos, 11th May
Diego Matheuz convinces the public in his Madrid debut conducting the Orquesta Nacional de España. Krysztof Wisniewski and Cristina Pozas shine as soloists, while Ginastera's Estancia was the highlight of the concert.
****1
Orquesta Nacional de España and Miguel Harth-Bedoya
Alberto Hernández Mateos, 17th January
The Orquesta Nacional de España with violinist Veronika Eberle and organist Daniel Oyarzábal plays three nineteenth-century works: Berlioz's Roman Carnival overture, Dvořák’s Violin Concerto and Saint-Saëns' Organ Symphony.
***11
Impactante Krzystof Urbański con la Orquesta Nacional de España
Leonardo Mattana Ereño, 31st January
La Orquesta Nacional de España ofreció un concierto de gran impacto y buen trabajo orquestal bajo la dirección de Krzysztof Urbański.
****1
More reviews...
Read reviews of
David AfkhamDmitri ShostakovichElena MendozaJohannes BrahmsKaren GomyoOrquesta Nacional de EspañaSymphony no. 4 in E minor, Op.98Violin Concerto no. 1 in A minor, Op.77 or Op.99
Related articles
Loading image...
Dvořák in the bloodstream: Joshua Bell in Rome
Loading image...
Traces and scratches: the magical world of composers’ handwriting
Loading image...
A musical melting pot: Hannu Lintu joins Singapore Symphony Orchestra
Loading image...
The art of memory: classical music for mourning
More by Leonardo Mattana Ereño
Loading image...
Janine Jansen y la Camerata Salzburg: Vivaldi y sus afinidades electivas
Loading image...
La novia vendida vuelve al Real y encandila musical y escénicamente
Loading image...
La justa distancia: Mario Brunello transita entre Bach y Weinberg
Loading image...
Exaltar la perfección: Pichon firma una superlativa Pasión según san Mateo
Leonardo Mattana Ereño
Leonardo Mattana Ereño

Leonardo Mattana (1988) es Doctor en filosofía por la Universidad Autónoma de Madrid. También ha cursado estudios de piano, composición, teoría musical e historia de la música en el conservatorio de Sassari (Italia). Sus pasiones musicales son trasversales, privilegiando la música sinfónica y de cámara, pero sobre todo, buscando siempre en la experiencia estética de la música elementos de reflexión.