Khatia Buniatishvili: Beethoven de contrastes y expresividad

By David Santana Cañas, 31 October 2019

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Reviewed at Auditorio Nacional de Música, Madrid on 29 October 2019

Beethoven, Piano Sonata no. 14 in C sharp minor "Moonlight", Op.27 no.2

Beethoven, Piano Sonata no. 17 in D minor "Tempest", Op.31 no.2

Beethoven, Piano Sonata no. 8 in C minor "Pathétique", Op.13

Beethoven, Piano Sonata no. 23 in F minor "Appassionata", Op.57

Khatia Buniatishvili, Piano

Orchestre de la Suisse Romande and Buniatishvili in Hamburg

Mengguang Huang, 24th March

Jonathan Nott and the OSR bring surgical precision to Debussy’s vivid sketches, while Khatia Buniatishvili’s Brahms evokes the soulful, improvisational warmth of a pre-war piano legend at the Elbphilharmonie.

****1

Protests disrupt the Melbourne Symphony Orchestra's Proms appearance

Dominic Lowe, 29th August

Despite the disruption, the musicians of the MSO under Chief Conductor Jaime Martín continue their interesting programme of Sutherland, Dvořák and Tchaikovsky.

***11

Highly individual Mozart from Buniatishvili

Nick Boston, 9th December

The Academy of St Martin in the Fields give exciting performances at the Barbican, with idiosyncratic Mozart from Buniatishvili.

***11

Khatia Buniatishvili in search of her lost fingers

Alain Lompech, 30th October

Rachmaninov's Second Piano Concerto turns out to be a shipwreck for the Georgian pianist, despite an admirable Orchestre de Paris and conductor (Kirill Karabits).

*1111

Power and personality: Buniatishvili, Märkl, the Taiwan Philharmonic

Alexander Hall, 9th April

Khatia Buniatishvili may divide opinion, but for sheer visceral excitement she's hard to beat. Jun Märkl on tour with the Taiwan Philharmonic at Hamburg's Elbphilharmonie impresses in milder ways.

****1

Quirky Rachmaninov from Buniatishvili and the RPO in Atlanta

William E Ford, 15th January

A most idiosyncratic version of Rachmaninov's Second Piano Concerto from Khatia Buniatishvili along with a notable performance of Sibelius' Second Symphony from the RPO, touring the United States under Mark Wigglesworth.

***11

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David Santana Cañas

David Santana (Bilbao, 1996) comienza sus estudios de música en la especialidad de fagot en el Conservatorio Juan Crisóstomo de Arriaga de Bilbao. En 2014 se traslada a Madrid, donde cursa el grado en Musicología en la Universidad Complutense de Madrid y continúa y finaliza sus estudios musicales de fagot en el Conservatorio Adolfo Salazar de Madrid. Actualmente se encuentra ampliando su formación con la realización del Máster de Investigación de Música Española e Hispanoamericana en la UCM.

Khatia Buniatishvili: contrastes y expresividad para un Beethoven clásico y romántico