El mejor encuentro con Mozart: Alina Pogostkina

By Jorge Baeza Stanicic, 02 February 2022

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“Pogostkina … posee un sonido potente y equilibrado que nos costará olvidar”

Reviewed at Auditorio Nacional de Música, Madrid on 31 January 2022

Winkelman, Tree Talk

Mozart, Violin Concerto no. 4 in D major, K218

Beethoven, Symphony no. 7 in A major, Op.92

Alina Pogostkina, Violin

Swiss Orchestra

Lena-Lisa Wüstendörfer, Conductor

Stormy passions: The Red Priest and his Muses

Mark Pullinger, 7th February

Anna Maria della Pietà may not be the most celebrated violinists in history, but she inspired Antonio Vivaldi to write some of his finest concertos, two of which were heard in this tribute to three of the Red Priest's muses.

****1

Serene Vasks and exuberant Shostakovich in Belgrade

Peter Connors, 9th November

Alina Pogostkina and the Belgrade Philharmonic strings shone in Peteris Vasks' atmospheric Distant Light while Fabrice Bollon entertained with Shostakovich's most exuberant symphony.

****1

Heights of expression from Oramo and the BBCSO

Mark Thomas, 27th September

A dream programme of works by Strauss, Berg and Sibelius, matched by performances from Sakari Oramo, Alina Pogostkina and the BBC Symphony Orchestra that really hit the sweet spot.

****1

In Istanbul, Beethoven comes with cannon and muezzin

Jonathan Sutherland, 1st June

Although Beethoven was none too fond of despots, self-proclaimed emperors, or religious intuitions, one can image his approbation for Justinian’s stupendous Hagia Eirene basilica as a perfect venue for his music.

***11

From Leipzig to Finland in Manchester

Richard Ely, 19th February

A satisfying programme of familiar and unfamiliar works by the BBC Philarhomic under its Principal Guest Conductor.

****1

Pogostkina steals the show with exhilarating Mendelssohn

Andrew Larkin, 6th May

Buribayev and NSO deliver a powerful Mahler 4 while Ailish Tynan sings of the heavenly delights, while Alina Pogostkina dishes up outstanding Mendelssohn.

****1

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Jorge Baeza Stanicic

Jorge Baeza es Profesor Superior de Piano y ha trabajado enseñando a tocar este instrumento en las Escuelas de Música Ayensa y Santa Cecilia, ambas en Madrid. Ha perfeccionado su técnica pedagógica con diversos maestros y ha complementado su formación con estudios sobre las aplicaciones de la Técnica Alexander a la interpretación musical. De forma paralela es autor del blog Tritono Music News (www.tritonomusicnews.com) orientado a la explicación pedagógica de contenidos musicales. En Bachtrack colabora redactando reseñas de conciertos desde el 2016 y actualmente desempeña su labor como Bibliotecario en el Ayuntamiento de Madrid.

El mejor encuentro con Mozart de la mano de la violinista Alina Pogostkina