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Traje sin emperador: La Terza Prattica propone en Malta un ejercicio de transformismo operístico

By Aaron Vincent, 18 January 2026
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Reviewed at Teatru Manoel, Valletta on 11 January 2026
Programme
Monteverdi, L'incoronazione di Poppea, SV 308 (Selección)
Cavalli, Gli amori d'Apollo e di Dafne (Selección)
Falconieri, La suave melodia
Handel, Rinaldo (Selección)
Babell, Celebrated Lesson
Vivaldi, Il cimento dell'armonia e dell'inventione: Violin Concerto in F minor, Op.8 no. 4, RV 297 "L'inverno" (Winter) (Largo)
Vivaldi, Ottone in villa, RV 729 (Selección)
Performers
Deda Cristina Colonna, Director
Francesco Gonzales, Costume Designer
La Terza Prattica
Francesca Lombardi Mazzulli, Soprano
Juan José Francione, Baroque Guitar
Massimiliano Toni, Harpsichord, Conductor
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Jens Klier, 28th November
Bei Bayer Kultur kam durch Werner Ehrhardt eine interessante Ausgrabung zur Aufführung, bürgernah und gefällig, allerdings diesmal nicht so zündend und sorgsam.
***11
Dido left stranded by the director in Florence
Renato Verga, 8th January
Metastasio's Didone abbandonata has been set to music at least sixty times. Florence revives a version by Leonardo Vinci composed in 1726.
**111
Trojan’s Carousel: a magical night of dreams come true in Prague
Frank Kuznik, 23rd April
A vintage opera at the National Theatre offers charming adventures for children and musical sophistication for adults.
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Women take over: Future Dance Festival at New York's 92nd Street Y
Carla Escoda, 17th April
Two evenings of live dance and a full program of dance films from young choreographers yielded much to admire and be amused by at the Future Dance Festival 2026.
****1
Regents Opera’s Salome lands a knockout punch at York Hall
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Mark Ravenhill directs a brutal, bloody Salome at the spiritual home of British boxing, York Hall. 
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Ensemble Masques opens “Cembalomania” at the Elbphilharmonie
Mengguang Huang, 12th December

Ensemble Masques brings French Baroque to life at the Elbphilharmonie, with Olivier Fortin’s radiant harpsichord, spirited strings and vivid interplay revealing the expressive richness of Couperin, Rameau, Forqueray and Corrette.

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Read reviews of
Andrea FalconieriAntonio VivaldiClaudio MonteverdiDeda Cristina ColonnaFrancesca Lombardi MazzulliFrancesco CavalliGeorge Frideric HandelGli amori d'Apollo e di DafneIl cimento dell'armonia e dell'inventione: Violin Concerto in F minor, Op.8 no. 4, RV 297 "L'inverno" (Winter)L'incoronazione di Poppea, SV 308La suave melodiaMassimiliano ToniOttone in villa, RV 729RinaldoWilliam Babell
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Aaron Vincent
Aaron Vincent

Aaron Vincent nació en Londres en 1970 y reside en Madrid. Formado como arquitecto en la Escuela Técnica Superior de Arquitectura de Madrid, es profesor de inglés, corrector y traductor especializado en teatro y musicología. Su interés principal es el teatro lírico y siente especial predilección por la ópera barroca y la zarzuela, en todas sus etapas y formatos. Es habitual de las temporadas musicales de Madrid y París. Ha colaborado con Filomúsica y Mundoclásico.