Beethoven et Bruckner all stars : Barenboim & co. à la Philharmonie

By Nicolas Mathieu, 23 October 2019

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“Le divertissement est possible car l’assurance dans le jeu est totale”

Reviewed at Philharmonie de Paris: Grande salle Pierre Boulez, Paris on 20 October 2019

Beethoven, Triple Concerto for Violin, Cello, and Piano in C major, Op.56

Bruckner, Symphony no. 9 in D minor, WAB 109

West-Eastern Divan Orchestra

Daniel Barenboim, Conductor

Anne-Sophie Mutter, Violin

Yo-Yo Ma, Cello

Joy and hope from Barenboim and the West-Eastern Divan Orchestra

Chris Garlick, 4th November

The West-Eastern Divan Orchestra are on fire with the joy of music-making to the delight of a very sympathetic and enthusiastic audience at London's Southbank Centre.

*****

Barenboim and the West-Eastern Divan return to the BBC Proms

Asher Rubenstein, 11th August

Marking 25 years of the West-Eastern Divan Orchestra, Daniel Barenboim returns to the Proms with violin legend Anne-Sophie Mutter.

***11

West-Eastern Divan Orchestra shows its stars at the Salzburg Festival

Alexander Hall, 13th August

Daniel Barenboim offered an unusually Germanic take on César Franck, while section leaders Michael Barenboim and Kian Soltani pulled double duty as soloists in Brahms' Double Concerto.

****1

BTHVN 2020 celebrated in Bonn by Barenboim and the WEDO

Zoltán Szabó, 17th December

A mixed performance from Bonn, but there was magic from Barenboim's fingers in the Third Piano Concerto.

***11

Resounding: Barenboim brings music back to the Pierre Boulez Saal

Hugo Shirley, 14th August

The West-Eastern Divan Orchestra presents a superb programme executed with power and urgency to herald the return of public music-making at the Pierre Boulez Saal.

*****

Bluster and conviction from Argerich and Barenboim

Mark Thomas, 12th August

There was vibrancy and subtlety in these cultured performances of Schubert and Lutosławski, with Martha Argerich still showing how it’s done with ‘that’ Tchaikovsky concerto.

****1

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Nicolas Mathieu

Après des études de philosophie à l’ENS de Lyon et de politiques culturelles à l’Université de Paris, Nicolas se tourne vers la gestion culturelle à HEC Paris. Formé aux conservatoires de Lille et de Lyon en piano et en écriture, il consacre ses projets personnels au dialogue entre la musique et les autres arts comme organisateur de ciné-concerts (S’émanciné), de lectures performées (CIE 44) et autres formats pluridisciplinaires.