Vertigineuse Elektra à l'Opéra de Lyon

By Sébastien Herbecq, 20 March 2017

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“Le résultat d’un traitement aussi radical ? Le vertige !”

Reviewed at Opéra Nouvel, Lyon on 17 March 2017

Strauss R., Elektra

Opéra de Lyon

Hartmut Haenchen, Conductor

Ruth Berghaus, Director

Hans Dieter Schaal, Set Designer

Marie-Luise Strandt, Costume Designer

Elena Pankratova, Elektra

Katrin Kapplusch, Chrysothemis

Lioba Braun, Klytaemnestra

Thomas Piffka, Aegisth

Christof Fischesser, Orest

Victor von Halem, Orest's Tutor

Patrick Grahl, Young Servant

Orchestre de l'Opéra de Lyon

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The Opéra de Lyon presents Britten’s masterpiece for the first time: a triumph, both visually and musically, which is received with great enthusiasm by the audience.

****1

All that glitters: Barrie Kosky's Coq d'or opens in Lyon

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Its premiere postponed from Festival d'Aix last summer, Barrie Kosky's staging of Rimsky-Korsakov's political satire finally takes place in Lyon.

*****

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Zoltán Szabó, 26th March

A controversial new production of Bluebeard's Castle by Andriy Zholdak in which Bartók's opera is played out twice...

**111

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David Karlin, 24th August

Herheim pulls us in unexpected directions, makes us laugh and makes us think as we enjoy fine Rossinian music and singing in Opéra de Lyon's production.

****1

Marton turns Don Giovanni into a wrist-slashing wimp

Jonathan Sutherland, 25th June

A disappointing new production by David Marton at Opéra de Lyon.

**111

Darkness and grandeur in Christophe Honoré's Don Carlos

Mark Pullinger, 17th March

A (nearly) complete performance of the original French version of Don Carlos forms the centrepiece of Daniele Rustioni's Verdi Festival in Lyon.

****1

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Sébastien Herbecq

Sébastien a pratiqué pendant 11 ans le violon avant d'intégrer la classe de chant lyrique du Conservatoire de Montpellier. Titulaire d'un master en droit et management de la culture, ce grand amateur de musique classique, admirateur des belles voix, arpente depuis son plus jeune âge les salles d'opéra. Il est particulièrement sensible au répertoire lyrique de ses compositeurs fétiches : Wagner, Richard Strauss, Verdi et Rossini. Dramaturge auprès de l'Opéra de Marseille à partir de 2017, il cesse son activité de critique l'année suivante ; depuis 2019, il est dramaturge à La Monnaie/De Munt.