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Manfred Schweigkofler's production places the drama in a surreal, timeless atmosphere at the Teatro San Carlo. 

Damiano Michieletto's production does not let the viewer rest easy even when the opera has ended.

Boston Symphony Orchestra Music Director Andris Nelsons experienced his first time leading the Tanglewood Music Center Orchestra – and hundreds of other performers – in Mahler’s Symphony no. 8.

A great love story as well as a cultural and musical shock as it has been from the beginning, this performance of Tristan und Isolde in Naples was led by an inspired Zubin Metha.

Mahler’s Symphony no. 8 had not been heard in Milan for 27 years. Tonight, Riccardo Chailly returned to perform the “Symphony of a Thousand” with his former band, the Orchestra Sinfonica di Milano Giuseppe Verdi.

Leipzig routinely honours its native son with performances of Parsifal scheduled on and around Good Friday, which tempts a state of ritualized enactment best confined to the opera itself. (Vienna maintains the same tradition and is a magnet for self-appointed enforcers of the Bayreuth applause customs and their confrontational silencing of the ‘transgressors’.

Eine von Joana Mallwitz hoch motivierte Staatsphilharmonie und fulminante Leistungen der Solisten machten das sperrige Sujet zum Super-Saisonstart.

David Bösch monte une formidable nouvelle production d'Irrelohe de Franz Schreker, compositeur encore trop rarement joué. Sous la baguette habile de Bernhard Kontarsky, Ambur Braid se distingue dans le rôle d'Eva.

Dans le cadre de son Festival Mémoires, l’Opéra National de Lyon propose une recréation de la production d’Elektra que Ruth Berghaus avait présenté à Dresde en 1986. Un plongée vertigineuse dans le vide !