Le BNO, Eva Ollikainen et Antoine Tamestit en héros à Bozar

Eva Ollikainen

Antoine Tamestit

By Patrice Lieberman, 23 February 2026

Loading, please wait...

See full listing

“C’est peu dire qu’Eva Ollikainen s’en sort remarquablement”

Reviewed at BOZAR: Main hall, Brussels on 22 February 2026

Berlioz, Harold en Italie, Op.16

Tchaikovsky, Symphony no. 6 in B minor, "Pathétique", Op.74

Eva Ollikainen, Conductor

Antoine Tamestit, Viola

Belgian National Orchestra

A performance of contradictions from the Belgian National Orchestra

Clare Varney, 25th July

Antony Hermus searches for menace and intrigue in the BNO's programme in Amsterdam's Concertgebouw.

***11

Saint-Saëns crowns the Belgian National Orchestra's Manchester visit

Rohan Shotton, 7th November

Roberto González-Monjas conducts the Belgian National Orchestra, joined by Paul Lewis, in Manchester's Bridgewater Hall.

****1

Russian delights with Lugansky and Kochanovsky in Brussels

Marc Haegeman, 27th September

Stanislav Kochanovsky, Nikolai Lugansky and the Belgian National Orchestra impress with an all-Russian triple bill.

****1

Mischa Maisky shines in Tchaikovsky in Brussels

Marc Haegeman, 22nd March

Think of an exhilarating journey animated by an expert guide who lives and enjoys every moment, yet makes you believe he is discovering it with you and isn’t afraid to tease you with some daredevil steps off the beaten track.

***11

Fiery Prokofiev but lacklustre Britten in Brussels

Alan Yu, 5th October

Fiery Prokofiev but lacklustre Britten with the National Orchestra of Belgium.

***11

Wrong rep sinks opera evening at the Concertgebouw

Jenny Camilleri, 12th July

Mismatching between programme and performers resulted in a disappointing evening of operatic all-time favourites.

**111

More reviews...

Patrice Lieberman

Pratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.