Complots russes à Genève avec le retour de Fedora

Fedora au Grand Théâtre de Genève

By Stéphane Lelièvre, 18 December 2024

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“Kurzak émaille une ligne de chant particulièrement soignée de pianos et pianissimos de toute beauté”

Reviewed at Grand Théâtre de Genève, Geneva on 17 December 2024

Giordano, Fedora

Grand Théâtre de Genève

Antonino Fogliani, Conductor

Mark Biggins, Conductor

Arnaud Bernard, Director

Johannes Leiacker, Set Designer, Costume Designer

Fabrice Kebour, Lighting Designer

Orchestre de la Suisse Romande

Chorus of the Grand Théâtre de Genève

Aleksandra Kurzak, Princess Fedora Romazov

Roberto Alagna, Count Loris Ipanov

Simone Del Savio, De Siriex

Mark Kurmanbayev, Grech

Vladimir Kazakov, Cirillo

Sebastià Peris, Lorek

Yuliia Zasimova, Countness Olga Sukarev

David Greilsammer, Boleslao Lazinski

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***11

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The premiere of Bal Impérial by Sidi Larbi Cherkaoui challenges and interrogates to great effect in Geneva.

****1

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A maximalist production of Pelléas et Mélisande at Geneva's Grand Théâtre shines, but tries a little too hard.

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The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.

*****

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****1

Sidi Larbi Cherkaoui presents Idomeneo as a confused ballet in Geneva

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The Grand Théâtre de Genève presents a new production of Mozart’s opera seria where the focus is all on dancing and rope twirling. Nevertheless, a good cast, led by Federica Lombardi as Elettra, manages to shine through.

**111

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Stéphane Lelièvre

Stéphane Lelièvre est maître de conférences en littérature comparée. Il est responsable de l’équipe « Littérature et musique » du Centre de Recherche en Littérature Comparée à la Faculté des Lettres de Sorbonne Universités. Spécialiste des romantismes allemand et français, il s’intéresse d’une manière générale aux liens entre les lettres et la musique, et donc particulièrement à l’opéra.

Complots russes au Grand Théâtre de Genève avec le retour de Fedora