Bachtrack logo

Reprise de la Mélisande seule et bafouée de Katie Mitchell au Festival d’Aix-en-Provence

Pelléas et Mélisande au Festival d'Aix-en-Provence
© Jean-Louis Fernandez
Pelléas et Mélisande au Festival d'Aix-en-Provence
© Jean-Louis Fernandez
Pelléas et Mélisande au Festival d'Aix-en-Provence
© Jean-Louis Fernandez
Loading, please wait...
See full listing
“une lecture toujours plus féministe, au risque d’être parfois trop illustrative ou didactique”
Reviewed at Grand Théâtre de Provence, Aix-en-Provence on 9 July 2024
Debussy, Pelléas et Mélisande
Susanna Mälkki, Conductor
Katie Mitchell, Director
Lizzie Clachan, Set Designer
Chloe Lamford, Costume Designer
James Farncombe, Lighting Designer
Orchestre de l'Opéra de Lyon
Chœurs de l'Opéra de Lyon
Huw Montague Rendall, Pelléas
Chiara Skerath, Mélisande
Laurent Naouri, Golaud
Vincent Le Texier, Arkel
Lucile Richardot, Geneviève
Emma Fekete, Yniold
Thomas Dear, Shepherd, A Doctor
The Royal Opera stages its first Makropulos Case
***11
Nadine Sierra leads a musically formidable Lucia di Lammermoor
****1
272 years on, Handel's Theodora comes home to Covent Garden
***11
Royal Opera's A New Dark Age is a powerful cantata for our time
***11
Less than the sum of its parts: Zauberland at the Linbury
**111
“Soap opera at its best”: Katie Mitchell's Jenůfa
****1
More reviews...
Related articles
Loading image...
Beyond the fever dream: Nadine Sierra reclaims her narrative
Loading image...
Cosmopolitan code-switching: Tokyo Metropolitan Symphony 2025–26
Loading image...
The music in mathematics: a conversation with Bertrand Maury
Loading image...
Rising stars: ten to watch in 2024–25
Romain Daroles