Les Ébène interrogent la structure du quatuor à cordes à la Radio

Le Quatuor Ébène

By Pierre Michel, 13 October 2024

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“Les Ébène plongent leur public dans des méandres intellectuels insoupçonnés”

Reviewed at Maison de la Radio et de la Musique: Auditorium, Paris on 13 October 2024

Haydn, String Quartet no. 63 in B flat major "Sunrise," Op.76 no.4, Hob III:78

Britten, 3 Divertimenti for string quartet

Beethoven, String Quartet, Op.130 with Grosse Fuge, Op.133

Quatuor Ébène

Pierre Colombet, Violin

Gabriel Le Magadure, Violin

Marie Chilemme, Viola

Yuya Okamoto, Cello

The power of clarity: Quatuor Ébène at the Concertgebouw

Antonio D'Amato, 8th November

The Quatuor Ébène deliver striking clarity and deep musical understanding in performances of Mozart, Debussy and Brahms.

*****

Echoes of Youth: the Belcea and Ébène Quartets at Carnegie Hall

Edward Sava-Segal, 14th November

A concert of Mendelssohn and Enescu octets which proves that eight can be more than four plus four.

****1

A game of numbers: Belcea Quartet and Quatuor Ébène play octets

Alexander Hall, 28th May

Sometimes you just marvel at the level of musical inspiration and the virtuosic quality of the playing. The two octets by Mendelssohn and Enescu make a very satisfying pairing.

****1

New cellist, same radiating intensity: Quatuor Ébène at Zankel Hall

Edward Sava-Segal, 5th April

A programme consisting of works from three different centuries illustrated the French ensemble's versatility and acumen.

*****

Zinging strings: Janine Jansen leads an all-Stradivarius octet

Mark Pullinger, 19th December

Violin dealers J & A Beare celebrate its 130th anniversary in lavish style by bringing together eight of the Cremona luthier’s exceptional instruments for a concert directed by Dutch violinist, Janine Jansen.

****1

A greatly accomplished performance by the Quatuor Ébène at Zankel Hall

Edward Sava-Segal, 30th March

One would never had guessed that the Ébènes had not played Shostakovich's dark Eighth String Quartet before this tour, such was the way their performance transcended individual agony to address human despair in general.

*****

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Pierre Michel

Né dans une famille de musiciens, Pierre suit un cursus varié au sein du Conservatoire de Meudon, entre piano (DEM) et contrebasse, récital et orchestre, classique et jazz. Aujourd'hui ingénieur dans la gestion et l'analyse de données, il fréquente très assidûment les salles de concert de la région parisienne pour consolider et approfondir sa passion pour la musique classique. Pour ne pas manquer ses prochains articles, rendez-vous sur son compte Instagram ricerc_art.

Les Ébène interrogent la structure du quatuor à cordes à Radio France