Thomas Bauer et Jos van Immerseel à l’Opéra de Dijon : la note et le verbe

In an all-Russian programme, Jos van Immerseel and Anima Eterna Brugge show the nuts and bolts, but forget the music.

Historically informed Beethoven on period instruments in Sydney, but where was the interpretation? 

The Belgian period-instrument ensemble Anima Eterna Brugge deliver controlled but expressive performances of Beethoven's Symphonies 8 and 7 as part of a complete cycle in Sydney

Jos van Immerseel and Anima Eterna present a rich programme full of colour and transparency.

In the acoustic wizardry that is Concertgebouw Brugge, Jos van Immerseel and Anima Eterna deliver a feast for the intellect, if not for the senses, in their exploration of the great Czech composers.

Few venues do “faded grandeur” better than the Royal Conservatoire of Brussels. The auditorium of Belgium’s premier music college is a venerable grande dame of a concert hall – all off-white paint peeling from cracked walls and heavy red velvet curtains coated with dust – making it an elegant and alluring place in which to while away an evening, its imperfections lending a certain sepia-tinged spa