Live, On demand, Streamed event: Find classical music concert, opera, ballet and dance reviews | Winterreise (W. Müller), D.911

The British tenor, partnered by Mitsuko Uchida, closed Wigmore Hall’s three-week festival of lunchtime recitals with a peak of the vocal repertoire.

In a world where winter never comes, Ian Bostridge suggested a Cartagenan equivalent of Schubert's Winterreise experiment in which the most unimaginable beauties come at the expense of unbearable pain.

DiDonato has always asked herself what happens to Charlotte after Werther’s suicide; now she pondered another young woman’s fate – her key to Winterreise was from the Mädchen’s viewpoint.

Whether one prefers more raw emotion and large-scale architecture or is thrilled by perfectly sculpted individual masterpieces, this was undeniably chamber music of the highest order.

Huber’s morbid piano here was chilling and pointed the way to a harrowing finale that never quite materialised.

Ian Bostridge and Wenwen Du deliver Schubert's song cycle with great musicianship, but Bostridge lacks the presence that makes live performance a special treat.

Mark Padmore and Kristian Bezuidenhout conclude their trilogy of Schubert song cycles at Lincoln Center's White Light Festival with a brave and profoundly moving account of Winterreise.

A memorable Winterreise at the Chigiana International Festival, Siena. 

Ian Bostridge and Håvard Gimse gave a chilling performance of Schubert's Winterreise, but much of the emotional impact got lost in theatricalities.

Pianist Markus Hinterhäuser’s brilliantly curated Winterreise juxtaposes the devastating interpretative powers of baritone Matthias Goerne with captivating animated images by William Kentridge.

Jonas Kaufmann, German singer extraordinaire, may not be fully human. His exquisite chocolatey tenor, coupled with his extraordinary command of diction, tone and emotion, lend him an other-worldly air, whether performing opera or singing lieder. This man can do no wrong, as was witnessed Tuesday night at his Berlin Philharmonic performance of Schubert’s intense song cycle Winterreise.

Nathalie Stutzmann sings Winterreise in Madrid, in a collaboration that showed them together, if not quite as one.

To really, fully throw yourself into the chilly despair of January’s bitterest blues, you can’t beat an icy, bare-souled stroll through Schubert’s Winterreise. Here it was in the hands of Gerald Finley and Julius Drake at Wigmore Hall.

Shortly after a disguised Wotan stepped onto the stage in the third instalment of Barenboim’s Proms Ring, across London another of German music’s great wanderers put in an appearance. It may have been a warm July evening outside, but from the first notes of this compelling Winterreise from James Gilchrist and Anna Tilbrook the temperature in Wigmore Hall seemed to plummet well below zero.

Those who attended Jonas Kaufmann’s Vienna Wagner debut and were wondering why his Parsifal was beautiful but rather underwhelming in volume, were given the answer on the stage of the Konzerthaus two days later, when he announced himself as “still ill after a severe cold”.

By adding Schubert’s Winterresie to her repertoire Alice Coote joins a long tradition of female interpreters including the likes of Christine Schäfer and her own mentor Brigitte Fassbaender. In this performance of Schubert’s great song cycle, however, it was the piano playing of Julius Drake, rather than Coote’s singing, which penetrated to the heart of the work.

Late in life, the conductor Bruno Walter would often recall the moment Gustav Mahler first showed him the manuscript to the as yet unperformed Das Lied von der Erde. The work, with its poignancy and profound world-weariness, seemed even to take its composer aback. “But don’t you think it’ll make people want to do away with themselves?,” he said of the work.

Last night brought Mark Padmore (tenor) and Paul Lewis (piano) to the Sheldonian Theatre in Oxford for a recital of Schubert’s Winterreise, Schubert’s setting of a text by the short-lived lyric poet Wilhelm Müller. The poems focus on a ‘wanderer’ whose only friend is his shadow, having been rejected by his sweetheart in favour of a new lover.

La mezzo-soprano Joyce DiDonato et le chef-pianiste Yannick Nézet-Séguin ont livré un Voyage d’hiver d’exception au Club musical de Québec.

Pasión, dulzura y dolor embriagan la interpretación de Adrianne Pieczonka y Wolfram Rieger del Winterreise de Schubert en el quinto recital del XXV Ciclo de Lied en el Teatro de la Zarzuela.

Les deux compères nous proposaient dimanche dernier un Winterreise aussi opulent que les boiseries du château.

Avec un tel programme, Ian Bostridge est au cœur de sa zone de confort – et d’excellence – et pourtant, il parvient à aborder ce répertoire sous un angle singulier, aux résonances très actuelles.

S'agirait-il du voyage le plus abouti que Matthias Goerne ait donné à Paris ? Tous les symptômes portaient à le croire : l'endurante concentration du propos, l’intransigeance artistique et avec ça le clavier complice d'Andsnes !

Innigkeit und Autorität der Interpretation von Stimme und Klavier vereint bei einem Liederabend der ganz besonderen Art in der romanischen Kirche von Rougemont

On est frappé par la complicité entre Thomas Bauer et Jos Van Immerseel, qui livrent avec un engagement sans faille un somptueux carnet de voyage au pays du lied schubertien.

L’œuvre du compositeur allemand et maître incontesté du lied était illustrée par deux de ses compatriotes : le pianiste Michael Gees et le ténor Christoph Prégardien. 

Los dos músicos alemanes emocionan con una sencillez y expresión extremos en el Teatro de la Zarzuela

Le ténor anglais Ian Bostridge et le pianiste Julius Drake interprètent finement la détresse du dernier Schubert

Die Vorfreude auf dieses Konzert hätte nicht größer sein können, in dem das Duo Gerhaher-Huber eine ungewöhnliche Interpretation der Winterreise zeigte - mit großem Erfolg.