Le Requiem de Verdi maîtrisé de Daniele Gatti à la Philharmonie

Daniele Gatti dirige la Staatskapelle de Dresde à la Philharmonie

By Pierre Michel, 31 May 2026

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“l’infaillible Elīna Garanča est l’artiste marquante du concert”

Reviewed at Philharmonie de Paris: Grande salle Pierre Boulez, Paris on 30 May 2026

Verdi, Messa da Requiem

Staatskapelle Dresden

Chœur de l'Orchestre de Paris

Richard Wilberforce, Choirmaster / chorus director

Daniele Gatti, Conductor

Eleonora Buratto, Soprano

Elīna Garanča, Mezzo-soprano

Benjamin Bernheim, Tenor

Riccardo Zanellato, Bass

Schumann from the inside out: Yunchan Lim and Staatskapelle Dresden

SangKwon Lee, 1st February

Yunchan Lim seldom seeks the spotlight in a reflective, conversational account of Schumann's Piano Concerto, conducted by Myung-whun Chung.

*****

High-caliber Schumann and Mahler at Dvořák’s Prague

Frank Kuznik, 14th September

Daniele Gatti and Kirill Gerstein offer fresh, invigorating takes on two warhorses with the Staatskapelle Dresden.

*****

Thielemann bids farewell to Dresden with an excellent new FroSch

Ako Imamura, 27th March

David Bösch directs a creative and thoughtful new production of Die Frau ohne Schatten at the Semperoper in Christian Thielemann's final opera as Principal Conductor.

*****

Detlev Glanert's Die Jüdin von Toledo premieres at the Semperoper

Zenaida des Aubris, 10th February

Robert Carsen stages the world premiere production of Glanert's opera, based Franz Grillparzer's 1851 play, in stringent, minimalist style.

*****

Moving singing, but missed opportunities in Dresden’s new Aida

Zoltán Szabó, 17th March

Katharina Thalbach offers a traditional staging at the Semperoper, with fine vocal performances led by Krassimira Stoyanova, Francesco Meli and Oksana Volkova.

***11

Prom 63: Explosive Rachmaninov from Yuja Wang

Stephen Pritchard, 5th September

Outstanding playing from soloist and Staatskapelle Dresden makes this a Prom to remember.

*****

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Pierre Michel

Né dans une famille de musiciens, Pierre suit un cursus varié au sein du Conservatoire de Meudon, entre piano (DEM) et contrebasse, récital et orchestre, classique et jazz. Aujourd'hui ingénieur dans la gestion et l'analyse de données, il fréquente très assidûment les salles de concert de la région parisienne pour consolider et approfondir sa passion pour la musique classique. Pour ne pas manquer ses prochains articles, rendez-vous sur son compte Instagram ricerc_art.