Samstag 15 November 2025 | 17:00 |
Sonntag 16 November 2025 | 11:00 |
Dienstag 18 November 2025 | 17:00 |
Donnerstag 20 November 2025 | 17:00 |
Wagner, Richard (1813-1883) | Lohengrin |
Hungarian State Opera | ||
Martin Rajna | Musikalische Leitung | |
András Almási-Toth | Regie | |
Sebastian Hannak | Bühnenbild, Licht | |
Krisztina Lisztopád | Kostüme | |
Hungarian State Opera Orchestra | ||
Hungarian State Opera Chorus | ||
Eszter Lázár | Movement | |
Gábor Csiki | Chorleitung | |
Christopher Sokolowski | Tenor | Lohengrin |
Szabolcs Brickner | Tenor | Lohengrin |
Judit Kutasi | Mezzosopran | Ortrud |
Szilvia Rálik | Sopran | Ortrud |
Derek Welton | Bass | Heinrich der Vogler |
Péter Fried | Bass | Heinrich der Vogler |
Egils Siliņš | Bariton | Friedrich von Telramund |
Károly Szemerédy | Bariton | Friedrich von Telramund |
Johanni van Oostrum | Sopran | Elsa von Brabant |
Klára Kolonits | Sopran | Elsa von Brabant |
Kostas Smoriginas | Bassbariton | Heerrufer des Königs |
Bence Pataki | Bass | Heerrufer des Königs |
Had Richard Wagner lived in the 20th century, he might have been one of the most brilliant filmmakers – one might think so based on his opera: Lohengrin, the mysterious knight and guardian of the Holy Grail, arrives in Antwerp disguised, in a boat drawn by a swan, to save the beautiful Elsa accused of murder. On the condition that she is never inquisitive about his identity, Lohengrin marries her. However, after their wedding, the defeated Ortrud’s manipulations fuel Elsa’s curiosity about her husband’s true identity – leading to its eventual revelation. As a result, Lohengrin returns to the temple of the Holy Grail…
Wagner’s cinematic world is not far from the OPERA’s new production of Lohengrin. In András Almási-Tóth’s staging, a setting emerges that begins in 19th-century romanticism and evokes futuristic, steampunk films, highlighting the irreconcilable contrasts between good and evil, dream and reality, and the fundamentally opposing world-views of Lohengrin and society – where emerging victorious, or even happy, is practically impossible.