Impecables Concertgebouw Chamber Orchestra y Ronald Brautigam

Von Leonardo Mattana Ereño, 27 Februar 2022

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Veranstaltung anzeigen

“un dechado de buen quehacer, inteligencia musical y unos intérpretes de altísimo nivel”

Rezensierte Veranstaltung: Auditorio Nacional de Música, Madrid, am 26 Februar 2022

Mozart, Serenade Nr. 13 G-Dur, "Eine kleine Nachtmusik", KV525

Mozart, Klavierkonzert Nr. 12 in A-Dur, KV414 (KV385p)

Mozart, Adagio und Fuge für Streicher c-Moll, KV546

Mozart, Klavierkonzert Nr. 14 in Es-Dur "Ployer", KV449

Concertgebouw Chamber Orchestra

Ronald Brautigam, Klavier

The dual soul of Brautigam’s fortepiano at the Muziekgebouw

Antonio D'Amato, 15th February

Brautigam bridged Wilms and Beethoven at the fortepiano, while Farrenc’s First Symphony added symphonic breadth, all shaped by the assured playing of the Kölner Akademie under Michael Alexander Willens.

****1

Beethoven explored in the Concertgebouw's “empty sessions”

Laurence Vittes, 16th November

Streamed from an empty concert hall, the Concertgebouw's Beethoven Festival Online offered a series of six chamber works.

Catherine wheels of fire and energy from Aurora Orchestra and Collon

Alexander Hall, 28th September

Nicholas Collon decides that Mendelssohn is really a very revolutionary composer, while Amy Dickson's saxophone and Ronald Brautigam in Mozart provide vibrant contrasts.

****1

Brautigam plays Beethoven on Graf at BRQ Vantaa Festival

David Karlin, 12th August

At BRQ Vantaa Festival, Ronald Brautigam opens eyes and ears, displaying immaculate technique on a replica of a Beethoven-era piano.

****1

Brautigam premieres Beamish’s new Piano Concerto

David Pinedo, 11th March

For the silver jubilee of Ronald Brautigam’s history with the Amsterdam Sinfonietta, Sally Beamish composed a new piano concerto. Haydn, Mozart, and Elgar complemented the programme.

***11

Double Dutch in Sydney

Tony Burke, 3rd December

Beautifully interpreted performance of Mozart and Elgar at Sydney's Opera House, with Ross Edwards' White Ghosts Dancing.

****1

Weitere Kritiken...

Leonardo Mattana Ereño

Leonardo Mattana (1988) es Doctor en filosofía por la Universidad Autónoma de Madrid. También ha cursado estudios de piano, composición, teoría musical e historia de la música en el conservatorio de Sassari (Italia). Sus pasiones musicales son trasversales, privilegiando la música sinfónica y de cámara, pero sobre todo, buscando siempre en la experiencia estética de la música elementos de reflexión.

Impecables Concertgebouw Chamber Orchestra y Ronald Brautigam con las exquisiteces vienesas de Mozart