Anhelos, tormentos y divertimentos con la Compañía Nacional de Danza

Von Eduardo López-Collazo, 23 Juli 2016

Laden, bitte warten...

Veranstaltung anzeigen

“Brilló con intensidad la pareja encargada del primer pas de deux, Giulia París y Alessandro Riga”

Rezensierte Veranstaltung: Teatro Real: Sala Principal, Madrid, am 22 Juli 2016

In The Night (Jerome Robbins)

Suite (trio) (Uwe Scholz)

Raymonda Divertissement (Marius Petipa, Kevin Mackenzie, José Carlos Martínez)

Tribute to Enrique Granados (Dimo Kirilov)

Compañía Nacional de Danza

Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Rainer Zerbst, 14th January

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.

****1

Understatement and spectacle at New York City Ballet

Carla Escoda, 26th February

Jerome Robbins' Dances at a Gathering and George Balanchine's Diamonds make a study in contrasts. With lots of debuts in the former and seasoned leads in the latter.

*****

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

London City Ballet at the Linbury: joy and sorrow at its best

Deborah Weiss, 19th November

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

*****

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

Weitere Kritiken...

Eduardo López-Collazo

Ed. López-Collazo nació en Cuba, lugar donde la danza clásica es tan popular como el fútbol en otras latitudes. Desde siempre ha sido un apasionado de este arte en todas sus manifestaciones. Su formación académica primero en Física Nuclear y luego en Inmunología, en la que es doctor, no le ha mermado su interés por la danza y el arte en general. Sus críticas han aparecido en varias publicaciones españolas y durante los últimos años se ha hecho cargo de la sección de danza de ocioxocio.com.