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Strong singing and sharp choreography cannot rescue a hybrid version of Sweeney Todd staged by director Martin Čičvák.

Les deux chanteuses ont proposé un panorama innovant des sept péchés capitaux à travers les styles et les cultures, avec la complicité unificatrice de Julius Drake au piano.

With a brand new production by Barrie Kosky, Komische Oper Berlin's first venture into the Sondheim repertoire mostly falls flat.

Le Festival de Menton met en lumière les plus célèbres airs de Broadway magnifiés par l’interprétation de Natalie Dessay et de ses invités surprise.

As the UK continues to emerge from lockdown, Leeds Playhouse and Opera North stage Sondheim. 

West Australian Opera's production of Sweeney Todd was an excellent, crackling performance, with everyone involved in top form, with some unexpected players showing great talent in this not-very-operatic work.

Programming Stephen Sondheim’s A Little Night Music is quite a daring move in a country with no real tradition in musical. This production by Nederlands Reisopera shows that fortune favours the bold.

Hats off to Andreas Homoki, Artistic Director at the Zurich Opera House, for staging a musical around “the chill of ghostly shadows”.

Wallis Giunta and Michael Sikich serve up a delectable programme of Bernstein, Sondheim, and friends

Sondheim's Sweeney Todd seen and heard as it is: one of the greatest late-20th-century operas. 

San Francisco Opera's production of Sweeney Todd brings nothing new to the musical, but the cast includes wonderful surprises – most notably Stephanie Blythe's Mrs Lovett.

Vancouver Opera's updated Sweeney Todd is an incisive and disconcerting theatrical experience, backed by a musically excellent cast

Opera god meets Hollywood royalty on stage at the Coliseum, in a transatlantic production which heralds the ENO's intention to bring musical theatre back into their repertoire. 

Once you've seen Victorian Opera’s new production of Stephen Sondheim’s Into the Woods, it's unlikely you'll ever get it out of your head. It’s Melbourne’s current “anti-musical”, quietly intoxicating the audience with infectious force.

Coming to a head in a production of wit, charm and depth, the RNCM's production of Sondheim's Company is splendidly designed and excellently directed.

Stephen Sondheim's gruesome masterpiece Sweeney Todd enjoys a successful and overdue première run at the Vienna Volksoper.

In keeping with the theme of Tuesday’s (Le) Poisson Rouge concert entitled “Do Something Different”, I will diverge from the ordinary by opening with the evening’s closing remark: “This is opera in New York City today!”Opera Singers Initiative founder Anna Lee excitedly delivered this terse eight-word proclamation on the venue’s dimly-lit stage, where she was joined by vocalists from Opera Singers

When I heard that Nathan Gunn was opening Washington National Opera’s 2012-13 season Celebrity Series, I could not be more excited. Indeed, this American baritone, known in the musical world as “the opera divo”, represents everything that today’s opera fans look for in a singer: a beautiful voice, first-class acting, an appealing physique and of course, a great sense of humor.