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Vittorio Grigòlo und Diana Damrau wiederholten und festigten ihre intensive Bühnenbeziehung in Bartlett Shers neuer Produktion von Roméo et Juliette an der Met.

Great singing and imaginative spectacle cannot turn an ambitious operatic premiere into a convincing whole. 

This revival of the company’s 2019 Weimar-inspired staging of Verdi’s heartbreaking masterpiece is distinguished by stylish singing. 

Benjamin Bernheim and Nadine Sierra are a must-see pairing in the Met's revival of Bartlett Sher's production of Roméo et Juliette. 

Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigoletto production.

Verdi's Rigoletto in Weimar Germany? A half-baked concept, but Bartlett Sher's new production is certainly dramatic and it is gorgeously sung. 

Nadine Sierra's Gilda is the highlight of Michael Sher's polished production, which doesn't quite tug at the heartstrings.

When it comes to the title role, Bartlett Sher's non-interventionist production misses the core of the character. 

Bartlett Sher's production of Gounod's Romeo et Juliette returns to the Met. 

Bartlett Sher's production of The Tales of Hoffmann, revived at The Met, takes a Kafka-esque, surreal view of the opera.

Little mark of Shakespeare's drama or Verdi's passion behind Bartlett Sher's exsanguinated, highly-stylized Otello for The Metropolitan Opera.

A revival of Donizetti’s L’elisir d’amore at the Met, where Vittorio Grigolo's Nemorino happily ignores most of Bartless Sher's subtexts. 

If the production is full of pleasures, they do not immediately or obviously connect to a sense of some larger plan, which might have been helped along with a more dynamic set.

Bartlett Sher’s new production of Verdi's Otello opens the Metropolitan Opera's season in a staging dominated by multimedia sets.

Great singing and acting from the Met's Tales of Hoffmann second cast. 

There’s nothing like a trip to The Barber to refresh you. This season, the Metropolitan Opera revives Bartlett Sher’s 2006 production of Rossini’s comic masterpiece, The Barber of Seville. 

32-year-old Nico Muhly recently tweeted “I'm obsessed with people asking why I must write such ‘atonal music.

Read our review of Bartlett Sher's production of Rossini's L'Elisir d'Amore in its 2012 broadcast from the Met Opera in New York.

Read our review of Bartlett Sher's production of Rossini's Le Comte Ory in its 2011 broadcast from the Met Opera in New York.

It's about time someone wrote an opera about the internet. And who better than Nico Muhly - snarky blogger, snappy Tweeter, and according to the Daily Telegraph "the hottest young composer around"? Add seasoned playwright Craig Lucas, top Broadway director Bartlett Sher and some of Britain's finest singers, and you might expect them to cook up a success.

Read our review of Bartlett Sher's production of Rossini­'s Il Barbiere di Siviglia in its 2007 broadcast from the Met Opera in New York.