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Der Teufel steckt im Detail: Gounods Faust in Stuttgart

Von Matthew Rye, 3. November 2016

Eine packende Neuinszenierung von Gounods Oper von dem Team des aktuellen Bayreuther Rings, mit passender musikalischer Belohnung.

*****

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Stuttgart

3. Nov. 2016

Teufel im Detail: Gounods Faust in Stuttgart

Von Matthew Rye

Atalla Ayan (Don José) and Niamh O'Sullivan (Carmen) © Ros Kavanagh

Dublin

INO’s attractive, lively Carmen fails to convince in Dublin

Von Andrew Larkin, 2. November 2026

Niamh O’Sullivan brings charisma to an attractive, colourful production, but a lack of dramatic intensity leaves Bizet’s enduring tale of passion and possessiveness short of its full impact.

***11

mehr

***11

Dublin

2. Nov. 2026

INO’s attractive, lively Carmen fails to convince in Dublin

Von Andrew Larkin

Ernesto Petti (Rigoletto) © Keith Saunders

Sydney

Elijah Moshinsky's Rigoletto revived splendidly at Opera Australia

Von Jeremy Eccles, 13. Juni 2023

Could this be the last triumphant outing for the late, great Elijah Moshinksy's moving production of Rigoletto?

*****

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*****

Sydney

13. Juni 2023

Elijah Moshinsky's Rigoletto revived splendidly at Opera Australia

Von Jeremy Eccles

Barcelona

Injusta acogida a La bohème de Àlex Ollé: reflexiones sobre su estreno en el Liceu

Von Maria Sánchez, 14. Juni 2021

Sensaciones contrapuestas en el Liceu, en el que su público castigó una producción de La bohème con abucheos y aplaudió a rabiar a un reparto que funcionó a medio gas.

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Barcelona

14. Juni 2021

Reflexión sobre reflexión: La bohème de Àlex Ollé en el Liceu

Von Maria Sánchez

Berlin

Berlin ovationne un Chevalier à la rose à fleur de peau

Von Pierre Liscia-Beaurenaut, 16. Februar 2020

À Berlin, la nouvelle production du Rosenkavalier par André Heller fait un sans-faute, portée par un casting cinq étoiles.

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Berlin

16. Feb. 2020

Berlin ovationne un Chevalier à la rose à fleur de peau

Von Pierre Liscia-Beaurenaut

Berlin

More glitter than gold: the Berliner Staatsoper's new Rosenkavalier

Von Hugo Shirley, 9. Februar 2020

Another opera novice struggles in the Staatsoper's new Rosenkavalier, while Zubin Mehta's leaden conducting proves a burden.

***11

mehr

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Berlin

9. Feb. 2020

More glitter than gold: the Berliner Staatsoper's new Rosenkavalier

Von Hugo Shirley

New York City

Trittico's 100th anniversary and Domingo's 50th celebrated at The Met

Von Robert Levine, 26. November 2018

All three operas in Puccini's triptych are strongly cast in this revival.

****1

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****1

New York City

26. Nov. 2018

Trittico's 100th anniversary and Domingo's 50th

Von Robert Levine

Köln

A conceptually bold Manon at Oper Köln

Von Cristina Burack, 15. März 2018

This production fell just short of brilliance but showed how relevant and thought-provoking opera as an art form can be when tapping into today's headline debates.

****1

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****1

Köln

15. März 2018

A conceptually bold Manon at Oper Köln

Von Cristina Burack

Paris

Ground control to Major Tom : La bohème, déroutant space opera de Claus Guth

Von Suzanne Lay-Canessa, 1. Dezember 2017

Difficile de comprendre réellement comment a pu naître, dans l’esprit du metteur en scène allemand, un rapprochement aussi saugrenu. C’est pourtant dans un vaisseau spatial, puis sur la terre lunaire, que l’action de La bohème se déroule.

***11

mehr

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Paris

1. Dez. 2017

Ground control to Major Tom : La bohème, déroutant space opera de Claus Guth

Von Suzanne Lay-Canessa

Glyndebourne

Tears before bedtime: El-Khoury transcends Cairns’ chilly Glyndebourne Traviata

Von Mark Pullinger, 1. August 2017

Glyndebourne's second Traviata cast of the summer saw the festival field three principals worthy of any major international opera house.

****1

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****1

Glyndebourne

1. Aug. 2017

El-Khoury transcends Cairns’ chilly Traviata

Von Mark Pullinger

London

Ekaterina Bakanova a touchingly fragile Violetta in Covent Garden Traviata

Von Mark Pullinger, 14. Juni 2017

Two years ago, Russian soprano Ekaterina Bakanova was thrust into her Royal Opera debut, stepping in at short notice as Violetta. Her triumph was enough for the powers that be to offer her a run of five performances this month.

***11

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London

14. Juni 2017

Ekaterina Bakanova a touchingly fragile Violetta

Von Mark Pullinger

Mailand

Naïf Art Nostalgia: L'elisir d'amore at Teatro alla Scala

Von Courtney Smith, 3. Oktober 2015

A charmingly-retro, Naïf Art production of Donizetti's L'elisir d'amore at Teatro alla Scala provided a refreshing departure from the minimal, post-apocalyptic devastation trends of modern stagecraft.

****1

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****1

Mailand

3. Okt. 2015

Naïf Art Nostalgia: L'elisir d'amore at Teatro alla Scala

Von Courtney Smith

Amsterdam

Timeless Bohemian life in Amsterdam in new Benedict Andrews production

Von Nicolas Nguyen, 4. Dezember 2014

For his first collaboration with the Dutch National Opera, Australian director Benedict Andrews emphasizes the modernity of Puccini’s most popular opera.

***11

mehr

***11

Amsterdam

4. Dez. 2014

Timeless Bohemian life in Amsterdam

Von Nicolas Nguyen