Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Ivan Repušić

Christof Loy ist an der Deutschen Oper Berlin mit der selten gespielten Oper Francesca da Rimini von Riccardo Zandonai ein echter Opernthriller gelungen.

Das Münchner Rundfunkorchester erinnert mit einem rauschenden Programm aus Strauss-Werken an den berühmtesten komponierenden Sohn der Stadt.

Geistliche, anglikanischen Werke des 20. Jahrhunderts bildeten das Programm des Münchner Rundfunkorchesters, das auf völlig unterschiedliche Weise versuchte, den Raum mit Klängen zu füllen. 

Conductor Ivan Repušić leads a successful revival of Verdi’s playful masterpiece, with a solid cast.

Unlike the conucopia of duets Verdi wrote for soprano and baritone, his music for soprano and bass is much more limited and what exists is not exactly the acme of his output.

Stage director Ole Anders Tandberg casts Carmen as the leader of a gang of human organ dealers.

Ingo Kerkhof’s specious contemporary staging was only redeemed by a gruesome scalp and some marvellous playing in the pit.   

Deutsche Oper's production of Turandot ends with a double murder. Whatever point director Lorenzo Fioroni may have been trying to make about unhinged power, it failed to solve the problems of the ending of Puccini's opera.

Though it has run for 45 years, the Deutsche Oper Berlin’s Tosca is both timeless and a relic. Stand-in tenor Stefano La Colla's impassioned performance drew a standing ovation. 

The Deutsche Oper's vintage production of Lucia di Lammermoor is fabulously eerie and strongly performed. 

The Magic Flute at the Deutsche Oper Berlin is an interesting, well-sung and well-performed classic. Set in an agrarian world where Sarastro is less a high priest than he is a benevolent farmer-king, Günter Krämer’s 1991 production does not subvert the opera’s problems so much as it highlights them.