Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Mischa Maisky

Das Erfolgsrezept des dritten der beliebten Rencontres inédites lautete: Man nehme zwei bekannte Kammermusikstücke von Brahms und lasse sie von hochkarätigen Musikern in verschiedenen Kombinationen musizieren.

Nicht weniger als sechzig grössere und kleinere Stars der klassischen Musikszene gaben sich beim Galakonzert in Verbier die Ehre. Ein grosser Erfolg für den Intendanten Martin Engstroem.

Martha Argerich, Janine Jansen und Mischa Maisky wussten mit einem feurigen Konzert zu begeistern.

Martha Argerich und Mischa Maisky trafen sich im Herkulessaal zu einem kammermusikalischen Gipfeltreffen, um ihre nunmehr 40-jährige musikalische Freundschaft zu feiern.

Eindrucksvoll gestaltet der eingesprungene Alexander Sladkovsky Tschaikowskys letztes Werk, nachdem Jahrhundertcellist Mischa Maisky das Publikum in gewohnt eigenwilliger Weise in den Bann gezogen hat.

Lily Maisky, piano, y Mischa Maisky, chelo, ofrecieron un recital de sorprendente sintonía artística que cerró el ciclo de cámara del Círculo de Bellas Artes a un nivel altísimo.

Martha Argerich and Mischa Maisky's duo recital at Wigmore Hall turns into a trio... and offers the London audience a rare opportunity to hear the Argentinian pianist play solo.

Some 37 years after his Singapore debut, the cellist revisits Saint-Saëns' First Cello Concerto with the Singapore Symphony and Han-Na Chang. 

Age sometimes brings compensations: Mischa Maisky's total commitment to the Schumann concerto left Daniel Lozakovich out in the cold with Brahms. Meanwhile Klaus Mäkelä with the Verbier Festival Chamber Orchestra reins back Romantic feeling in Schumann's Second Symphony.

Le mariage des styles des trois interprètes produit une lecture passionnante du Trio op. 50 de Tchaïkovski.

Martha Argerich is one of the musical miracles of our times. Like exquisite wine, she seems to gain depth and new qualities with maturity.

Gérard Caussé and Nicholas Angelich impress in Brahms, while Mischa Maisky joins Martha Argerich in Shostakovich. 

Brahms enflammé, Schumann passionné, Chostakovitch endiablé : rien ne résiste au duo formé par Mischa Maisky et Martha Argerich, qui déchaîne le public de la Philharmonie.

Think of an exhilarating journey animated by an expert guide who lives and enjoys every moment, yet makes you believe he is discovering it with you and isn’t afraid to tease you with some daredevil steps off the beaten track.

En concierto fuera de temporada, la OFUNAM ofreció un programa de experencias sonoras contrastantes, cuyo atractivo principal fue la presencia del Trío Maisky.

Le Festival d’Été de Dubrovnik a eu le courage de maintenir un concert qui coïncidait avec un match décisif de leur équipe nationale. Une soirée mémorable.

Youthful Mahler, earth-shattering Shostatovich and life-affirming Schumann, played by The Maisky Trio and Maxim Rysanov at the Istanbul Music Festival.

Argerich. Maisky. Jansen. C’est la promesse de voir le génie en acte, l’autorité musicale en robe d’insouciance.

Three musicians at the top of their game – Martha Argerich, Janine Jansen and Misha Maisky – collaborated in a celebration of the joy of music-making that teased, astonished and ultimately stirred the emotions.

Au programme de ce "concert de minuit" du festival Enescu : Misha Masky et la Philharmonie de chambre de Saint-Pétersbourg dans des pièces d'Enescu, Tchaïkovsky, Bruch et Mendelssohn. Concert assez mitigé, avec un orchestre qui manque de caractère et un violoncelliste qui malgré toutes ses qualités indéniables manque de justesse.

L’Orchestre Symphonique National de la Rai et son chef, James Conlon, ont occupé la scène de l’Auditorium Parco della Musica pour une soirée entièrement dédiée au compositeur tchèque Antonín Dvořák.

Le paysage est aride, austère. A 2500 mètres d’altitude, les Pale di San Martino offrent a Mischa Maisky un cadre exceptionnel pour les Suites de Bach.

The world première of Giya Kancheli’s Nu.Mu.Zu is the blow-your-socks-off highlight of an evening that includes colourful playing of Falla and Strauss.

The Recontres inédites series is what makes the Verbier Festival famous among aficionados. The title translates – roughly – as “Unprecedented Meetings”, and that is certainly what the concerts represent: world-class soloists brought together on minimal but far from non-existent rehearsal time to play chamber music.

Mischa Maisky, the de-facto romantic cellist, gave the Istanbul audience a triple treat of passionate cello playing in Brahms, Tchaikovsky and Bruch, but surprisingly enough he was in most uninhibited during the Haydn concerto.Mr Maisky’s vibrato is excessive, a trait inherited from his longtime teacher and mentor Gregor Piatigorsky, but it never gets in the way of music.

This was the second of a triptych of concerts in Baden-Baden centred around the Russian cellist Mischa Maisky, who played here with the Bamberger Symphoniker and Jonathan Nott in an all-Dvořák programme.Dvořák's Cello Concerto in B minor is his final large-scale orchestral canvas, and justly celebrated as one of his finest achievements.

The theme of the first half of last night’s concert seemed to be love, in two of its many guises. Firstly of the sickly sweet variety: the love between hero and heroine in Berlioz’ Benvenuto Cellini, the opera from which he took material for the Roman Carnival overture.