Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Susanne Resmark

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Stockholm

Anne Sofie von Otter dominates the scene in Stockholm's Carmélites

Von Laura Servidei, 06 Februar 2019

The Royal Swedish Opera revives Garpe’s production of Poulenc’s Dialogues des Carmélites with a committed cast.

***11

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Stockholm

06 Feb 2019

Anne Sofie von Otter dominates the scene in Stockholm's Carmélites

Von Laura Servidei

Bilbao

Espectacular cierre de temporada de la OSE y el Orfeón Donostiarra

Von Josu Bengoa Barrena, 20 Juni 2018

La Orquesta Sinfónica de Euskadi y el Orfeón Donostiarra ponen un brillante punto final a la temporada con una colosal Messa da Requiem de Verdi.

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****1

Bilbao

20 Jun 2018

La OSE cierra su temporada con un Requiem de Verdi espectacular

Von Josu Bengoa Barrena

Manchester

A 24-carat Rheingold as the Hallé continues its Ring quest

Von Richard Ely, 27 November 2016

The Hallé's oddly-ordered Ring arrives at the beginning with Das Rheingold.

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Manchester

27 Nov 2016

A 24 carat Rheingold from the Hallé

Von Richard Ely

Amsterdam

Voltaire and vino: Maskarade bubbles over at the Concertgebouw

Von Jenny Camilleri, 19 Dezember 2015

Accompanied by an ebulliant Netherlands Radio Philharmonic, a fine Danish cast popped open the comedic bubbly at a concert performance of Nielsen’s Maskarade at the Concertgebouw.

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Amsterdam

19 Dez 2015

Voltaire and vino: Maskarade bubbles over

Von Jenny Camilleri

Copenhagen

The king is not well: Carl Nielsen’s Saul og David in Copenhagen

Von Aksel Tollåli, 17 April 2015

The Royal Danish Opera's new production of Carl Nielsen's first opera Saul og David updates the action to the present-day Middle east and, while well-sung, comes off as overly simplistic.

**111

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Copenhagen

17 Apr 2015

The king is not well: Nielsen’s Saul og David

Von Aksel Tollåli

München

A tartan Falstaff in Munich

Von Ilana Walder-Biesanz, 12 Februar 2015

The Merry Wives of Windsor – relocated to Scotland – sing beautifully, as does their wooer, Falstaff. But it's not clear why they're in Scotland in the first place, or how the rest of the staging fits the opera.

***11

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München

12 Feb 2015

A tartan Falstaff in Munich

Von Ilana Walder-Biesanz

New York City

The Met in HD, Le Comte Ory, 2011

Von David Karlin, 04 September 2011

Read our review of Bartlett Sher's production of Rossini's Le Comte Ory in its 2011 broadcast from the Met Opera in New York.

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New York City

04 Sep 2011

The Met in HD, Le Comte Ory, 2011

Von David Karlin

New York City

Met’s ‘Ory’ Bubbles Like Champagne

Von Gale Martin, 09 April 2011

When Franz Liszt conducted Le Comte Ory in Weimar, he said it “bubbled like champagne,” according to the Metropolitan Opera’s program note. It also noted that Liszt arranged for the audience to be served champagne in Act II.

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New York City

09 Apr 2011

Met’s ‘Ory’ Bubbles Like Champagne

Von Gale Martin