Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Sonate in d-Moll für zwei Violinen und Continuo "La Follia," Op.1 Nr.12, RV63

Alte Musik im neuen Style brachte Fetish Baroque in die Grazer Helmut-Liste-Halle; und begeisterte damit das Publikum.

Das von den Stühlen gerissene Publikum hielt seinerseits den jungen Vier den Spiegel ihrer fruchtig-rotbäckigen, coolen, hellauf faszinierenden und dennoch so unglaublich reifen Exzellenz vor.

Eine makellose Führung zu den Stadt- und Komponisten-Schätzen in Europa sortge erneut für bleibende Eindrücke und enthusiastische Erzählungen.

The Bach Akademie Australia celebrates the Leipzig Collegium Musicum of the Baroque era with an entertaining concert of familiar works and rarities, including the outright "silly" concerto of Telemann's The Frogs.

A fitting farewell for Leif Ove Andsnes' Rosendal Chamber Music Festival: imaginative programming and excellent performances in an inspiring setting. 

Has St Martin-in-the-Fields ever heard a more polished performance of that Baroque evergreen, The Four Seasons?

Véritable star de cette soirée « Royal Haendel », Le Consort vole la vedette à Eva Zaïcik dont le somptueux instrument manque d’audace.

Portées par l'enthousiasme contagieux des quatre musiciens du Consort, virtuoses et complices, les sonates en trio de Vivaldi et Reali apparaissent comme des chefs-d'œuvre à redécouvrir de toute urgence. 

A rare foray into crossover by the Singapore Symphony Orchestra into repertoire involving a traditional Chinese instrument. 

Max Emanuel Cenčić with Armonia Atenea under George Petrou provide an exciting and satisfying concert at the Halle Handel Festival

Featuring “greats” of the Italian and German Baroque, The Zurich Chamber Orchestra (ZKO) recently played a concert in the perfect venue.

A hit in its hometown, Apollo's Fire is making believers on the festival circuit both in the US and abroad this summer.

Fabio Biondi and Europa Galante – tour de force superstars in the world of historically-informed performance. Ever since I had first purchased their CD of Vivaldi’s L’Estro Armonico as a youngster, I have been in totally awe of the sheer brilliance of their playing. No longer were the familiar Vivaldi concertos mundane Suzuki student pieces; now they were living, breathing virtuosic showpieces.