Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Orgelkonzert in g-Moll, FP 93

Abseits der ausgetretenen Pfade präsentierten die Zürcher Sing-Akademie und das Tonhalle-Orchester Zürich geistliche Musik aus Frankreich. Star des Abends war die Organistin Iveta Apkalna.

Das BRSO und Organistin Iveta Apkalna widmen sich der Orgel abseits von Barock und sakralem Beiwerk.

In the run-up to Bastille Day, the Sydney Symphony Orchestra offers an entirely French programme under the baton of Stéphane Denève, with Olivier Latry as organ soloist.

Conductor and organist prove their strong musical bond at Bridgewater Hall, peaking in Saint-Saëns’ Third Symphony. 

The Ukrainian-Finnish conductor finds fresh insight in Sibelius' Fifth Symphony and introduces local audiences to the living Swedish composer Andrea Tarrodi.

The organ virtuoso offered a witty performance of Poulenc's concerto, while Yannick Nézet-Séguin revived a symphonic work by Louise Farrenc.

TCO principal flute Joshua Smith stood out in seminal works for solo flute by Debussy and Takemitsu. Organist Paul Jacobs was a capable soloist in Poulenc’s concerto, while Franz Welser-Möst led imaginatively orchestrated segments of Prokofiev’s Visions fugitives.

Corinna Niemeyer conducts the Orchestre de Paris, which had never played Poulenc's Concert champêtre before, and had only given one performance each of the Sinfonietta and Organ Concerto. Incroyable !

Bertrand de Billy made his debut with the LPO in an all-French programme headlined by Fauré's Requiem and preceded by a rewarding pairing of Poulenc's Organ Concerto and Sept Repons des Tenebres

The Hallé under Cristian Măcelaru performs a thrilling concert of works inspired by legends, along with Poulenc's Organ Concerto. 

Paris in the springtime: cold winds, driving rain and even a flurry of snow. Tonight, courtesy of Debussy’s Printemps, something a little more seasonal raised the temperature.

The celebratory, cerebral and contradictory elements inherent in this diverse programme of Haydn, Mozart, Poulenc and Stravinsky didn’t quite disguise some uneven performances in Søndergård’s third prom concert.

Yannick Nézet-Séguin explores the London Philharmonic Orchestra’s palette in an intoxicating French programme, celebrating the restoration of the Royal Festival Hall’s organ. 

Former Hong Kong Philharmonic Music Director David Atherton returned to his hometown on Saturday to lead the orchestra in a concert entitled “The King of Instruments”, a reference to works on the programme involving the organ, an instrument rarely heard in the symphony hall.

Luring England's David Briggs back to his native soil and under the soaring arches of Truro Cathedral is hardly a monumental feat when tempted by the works of Fauré, Poulenc and Charpentier, as well as a performance of his own Requiem.

One of the main attractions of this interesting programme given by the Chiltern Camerata was the Concerto for Organ, strings and timpani by Francis Poulenc and it was to do justice to this attractive work that this concert was presented in All Saints Church in Marlow with its fine Father Willis organ.