An unusual and moving evening in Seattle'

Von Thomas May, 19 Juli 2015

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Benaroya Hall: Nordstrom Recital Hall, Seattle, am 17 Juli 2015

Britten, Canticle I, My beloved is mine, for soprano or tenor and piano, Op.40

Brahms, Trio Es-Dur für Horn (oder Cello oder Bratsche), Violine und Klavier, Op. 40

Britten, Canticle III, Still Falls the Rain, for tenor, horn and piano, Op.55

Strauss R., Metamorphosen

Nicholas Phan, Tenor

Joyce Yang, Klavier

Yura Lee, Violine

Jeffrey Fair, Horn

Jeremy Denk, Klavier

James Ehnes, Violine

Jun Iwasaki, Violine

Cynthia Phelps, Viola

Richard O'Neill, Viola

Andrés Díaz, Cello

Bion Tsang, Cello

Jordan Anderson, Bass

Jeremy Denk surveys works by female composers in Oberlin

Sam Jacobson, 30th November

Jeremy Denk opens his recital with an intricately curated assortment of works by female composers, past and present.

***11

Fascinating 92Y recital by Jeremy Denk

Sam Jacobson, 13th December

C minor piano sonatas by Mozart and Beethoven bookended a selection of music from the United States in Jeremy Denk’s intriguing recital.

****1

Beethoven marks the end of Tanglewood’s online festival

Edward Sava-Segal, 22nd August

Joshua Bell and Jeremy Denk bring out the poetry of Beethoven's violin sonatas.

****1

Jeremy Denk shares his passion for Schumann’s music

Edward Sava-Segal, 20th August

The American pianist conveys the unique character of Schumann's Davidsbündlertänze.

****1

Three from ’05: plenty to take away from the LPO’s latest 2020 Visions

Matthew Rye, 28th February

A rare Enescu symphony makes an appearance in the latest of the LPO’s year-long series exploring works across the centuries.

***11

Beethoven's last and Dohnanyi's first at Mostly Mozart

Linda Holt, 5th August

The Takács Quartet performed quartets by Beethoven and Mozart with insight and energy. Pianist Jeremy Denk joined the ensemble in Dohnányi’s lushly romantic Piano Quintet.

*****

Weitere Kritiken...

Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.

An unusual and moving evening at Seattle's Summer Chamber Music Festival