An unusual and moving evening in Seattle'

Par Thomas May, 19 juillet 2015

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Critique faite à Benaroya Hall: Nordstrom Recital Hall, Seattle, le 17 juillet 2015

Britten, Canticle I, My beloved is mine, for soprano or tenor and piano, Op.40

Brahms, Trio en mi bémol majeur pour cor (ou violoncelle ou alto), violon et piano, Op.40

Britten, Canticle III, Still Falls the Rain, for tenor, horn and piano, Op.55

Strauss R., Métamorphoses

Nicholas Phan, Ténor

Joyce Yang, Piano

Yura Lee, Violon

Jeffrey Fair, Cor

Jeremy Denk, Piano

James Ehnes, Violon

Jun Iwasaki, Violon

Cynthia Phelps, Alto

Richard O'Neill, Alto

Andrés Díaz, Violoncelle

Bion Tsang, Violoncelle

Jordan Anderson, Basse

Jeremy Denk surveys works by female composers in Oberlin

Sam Jacobson, 30th November

Jeremy Denk opens his recital with an intricately curated assortment of works by female composers, past and present.

***11

Fascinating 92Y recital by Jeremy Denk

Sam Jacobson, 13th December

C minor piano sonatas by Mozart and Beethoven bookended a selection of music from the United States in Jeremy Denk’s intriguing recital.

****1

Beethoven marks the end of Tanglewood’s online festival

Edward Sava-Segal, 22nd August

Joshua Bell and Jeremy Denk bring out the poetry of Beethoven's violin sonatas.

****1

Jeremy Denk shares his passion for Schumann’s music

Edward Sava-Segal, 20th August

The American pianist conveys the unique character of Schumann's Davidsbündlertänze.

****1

Three from ’05: plenty to take away from the LPO’s latest 2020 Visions

Matthew Rye, 28th February

A rare Enescu symphony makes an appearance in the latest of the LPO’s year-long series exploring works across the centuries.

***11

Beethoven's last and Dohnanyi's first at Mostly Mozart

Linda Holt, 5th August

The Takács Quartet performed quartets by Beethoven and Mozart with insight and energy. Pianist Jeremy Denk joined the ensemble in Dohnányi’s lushly romantic Piano Quintet.

*****

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Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.

An unusual and moving evening at Seattle's Summer Chamber Music Festival