Karina Canellakis and Alice Sara Ott make memorable NY Phil debuts

Karina Canellakis and Alice Sara Ott with the New York Philharmonic

Karina Canellakis conducts the New York Philharmonic

Von Susan Stempleski, 06 April 2024

Laden, bitte warten...

Veranstaltung anzeigen

“with sweeping gestures, Canellakis shaped a resplendent, exquisitely sculpted account”

Rezensierte Veranstaltung: Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City, am 4 April 2024

Webern, Sechs Stücke für Orchester, Op.6 (1928 version)

Strauss R., Tod und Verklärung, Op. 24

Ravel, Klavierkonzert in G-Dur

Satie, Gnossienne Nr. 1

Skrjabin, Le poème de l'extase, Op.54

Alice Sara Ott, Klavier

New York Philharmonic

Karina Canellakis, Musikalische Leitung

Yo-Yo Ma spielt Salonen in Hamburg

Zenaida des Aubris, 3rd April

Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.

****1

Fragiles Spiel in New York

Stefan Pillhofer, 7th April

Die New Yorker David Geffen Hall ist ein imposanter Bau und beheimatet das New York Philharmonic Orchestra, welches an diesem Abend nicht nur Stärken zeigte.

***11

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Weitere Kritiken...

Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Karina Canellakis and Alice Sara Ott make memorable New York Philharmonic debuts