Karina Canellakis and Alice Sara Ott make memorable NY Phil debuts

Karina Canellakis and Alice Sara Ott with the New York Philharmonic

Karina Canellakis conducts the New York Philharmonic

Par Susan Stempleski, 06 avril 2024

Chargement en cours, veuillez patienter...

Voir le listing complet

“with sweeping gestures, Canellakis shaped a resplendent, exquisitely sculpted account”

Critique faite à Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York, le 4 avril 2024

Webern, Six Pieces For Orchestra, Op.6 (1928 version)

Strauss R., Mort et Transfiguration (Tod und Verklärung), Op.24

Ravel, Concerto pour piano en sol

Satie, Gnossienne no. 1

Scriabine, Le poème de l'extase, Op.54

Alice Sara Ott, Piano

New York Philharmonic

Karina Canellakis, Direction

À New York, Daniil Trifonov réinvente le Concerto de Schumann

Jean-Pierre Rousseau, 12th October

Au côté du New York Philharmonic, le pianiste russe propose une interprétation extraordinairement riche de l'œuvre de Schumann. Sous la direction de Mirga Gražinytė-Tyla, la partie symphonique du programme a moins convaincu.

***11

Le New York Philharmonic à Paris

Christophe Dilys, 26th April

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait !

*****

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Plus de critiques...

Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Karina Canellakis and Alice Sara Ott make memorable New York Philharmonic debuts