Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Marcelino Sambé

The Royal Ballet’s season opener, Christopher Wheeldon’s Like Water for Chocolate, is visually tremendous, very well danced but the many principal and soloist characters are difficult to keep up with.

An interesting mix of classical, contemporary, hip-hop and cultural choreography graced the stage at the Linbury Theatre for International Draft Works 2025.

Osipova has always, since her very earliest appearances on stage, stood out for the sheer energy and commitment she shows in all her work. This is no exception.

Overall, Light of Passage is one of those glorious pieces where music, choreography and design meld together to make theatrical magic.

The Royal Ballet gets off to an extraordinary start for its Ashton Celebrated season with some ravishing dancing on offer.

This tenth anniversary revival of Christopher Wheeldon's The Winter's Tale looks as fresh as on the original opening night.

An emotional rollercoaster showcasing the choreographic genius of Sir Kenneth MacMillan.

Kenneth MacMillan’s 50 year old ballet, Manon, holds up a mirror to our own times.

Thomas Adès' score does most of the storytelling in this epic production, though the dancing is superlative.

The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill. 

The finale had Osipova wrapping herself in the area rug like a mummy and rolling on the stage floor. It wasn’t even a guilty pleasure. It was just bad.

Pite's first full-length ballet at the Royal Opera House is a brief but powerful work, expanding her 2017 creation, Flight Pattern. 

Laura Esquivel’s extraordinary novel of recipes, romances and home remedies brought to life in Christopher Wheeldon and Joby Talbot's new creation. 

A richly varied trio of works celebrate The Royal Ballet's former director, performed with sincerity and panache. 

During her long career as a principal (19 years and counting), Juliet has never been an obvious pièce de résistance for Núñez. That is, until now.

Francesca Hayward is a captivating Juliet as Sir Kenneth MacMillan's hardy perennial is back for another long run at the Royal Opera House. 

Marianela Núñez possesses a shimmering, celestial radiance and Vadim Muntagirov is a Prince in his prime.

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

An event that will be long-remembered for the importance of the occasion, if not for its content. 

In her first work for the Covent Garden main stage, based on the life of Jacqueline du Pré, choreographer Cathy Marston explores the profound bond between musician and instrument.

An evening of sparkle and bravura at London's international ballet gala. 

On the evidence of this performance, there is every reason to be cheerful.

The first mixed programme of the new season is led by a stellar cast.

A mixed bill of modern work showcases the diverse talents of The Royal Ballet.

As MacMillan's masterpiece nears its 500th performance by The Royal Ballet, a fresh run of performances opens with a new pairing in the lead roles. 

What marks the start of Christmas? For many, it's when the Christmas tree magically grows in The Royal Ballet's Nutcracker...

A new Swan Lake is a test for any ballet company. Expectations ran high, but Liam Scarlett's new production hit the target. 

Two outstanding world premières honour the centenary of a great composer 

Virtuosity commanded the stage in the first half, drama and mood in the second, with Liam Scarlett’s new ballet a fitting tribute to the retiring Zenaida Yanowsky

If there is only one Nutcracker with which to herald the Christmas season, let it always be this one.    

A rich menu of thoughtful and engaging choreography, very well  performed by consistently excellent emerging dancers and musicians

The Royal Ballet's Giselle is classical ballet at its best, paying deep reverence to the original with some of the heavier elements refreshed. Excellently performed by Sarah Lamb and Matthew Golding. 

The Royal Ballet premieres Christopher Wheeldon's Strapless, and performs two other ballets by the choreographer for the first time.

The New English Ballet Theatre is joined by Royal Ballet guests in a special performance to raise funds for survivors of the Nepal earthquakes. 

This summer marks 25 years of excellence by Ardani artists. A gala celebrating this milestone brings together Natalia Osipova, Ivan Vasiliev, Edward Watson, Marcelo Gomes, Joaquin de Luz, Denis Matvienko and Friedemann Vogel.

The Royal Ballet marks the centennary of the First Wolrd War with a reflective, and commemorative programme. With works by Branstrup and Wheeldon, as well as a Scarlett world première.