Mostly Mozart Festival Orchestra offers a Requiem for itself

Louis Langrée leads the Mostly Mozart Festival Orchestra

Louis Langrée and the Mostly Mozart Festival Orchestra

Von David Wolfson, 06 August 2022

Laden, bitte warten...

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“Langrée and the orchestra’s take on Symphony no. 40 was both more idiosyncratic and more convincing”

Rezensierte Veranstaltung: Lincoln Center: Alice Tully Hall, New York City, am 5 August 2022

Mozart, Symphonie Nr. 40 in g-Moll, KV550

Mozart, Requiem in d-Moll, KV626

Sunhae Im, Sopran

Daniela Mack, Mezzosopran

Matthew Swensen, Tenor

Dashon Burton, Bassbariton

The Unsung Collective

Mostly Mozart Festival Orchestra

Louis Langrée, Musikalische Leitung

Louis Langrée begins final week with Mostly Mozart Festival Orchestra

David Wolfson, 8th August

Langrée's incoherent but enjoyable program skips through five centuries of music history from Lully to Valerie Coleman.

***11

Contrasting halves from Mostly Mozart Orchestra and Heyward

Edward Sava-Segal, 4th August

Jessie Montgomery's 2016 Records from a Vanishing City enthralls, Barber’s Violin Concerto is exquisite; Schumann's Rhenish disappoints.

***11

In New York, Gemma New makes “Mostly Mozart” mostly magic

David Wolfson, 1st August

Gemma New makes a positive impressive in the Mostly Mozart Festival Orchestra's lively rendition of the “Prague” Symphony.

****1

Langrée pairs ambitious premiere with uneven Mass at Mostly Mozart

David Wolfson, 25th July

The world premiere of Iraqi-American composer Amir ElSaffar's ambitious Dhikra (Remembrance) very nearly succeeds in its ambitions.

****1

Mozart and Brahms shine in a bold, romantic glow

Linda Holt, 30th July

Romanticized but highly enjoyable Mozart performances, monumental Brahms, but more gusto than tenderness characterized the program.

****1

Mostly Mozart: Bartók, Vivaldi and... Scandinavian folk music?

David Wolfson, 27th July

The idea of reframing a warhorse of the classical repertory isn't a bad one. Theatre and opera goers have their modern-dress versions of Shakespeare and Mozart. Why not try it with Vivaldi?

***11

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David Wolfson

David Wolfson holds a PhD in composition from Rutgers University, and has taught at Rutgers University, Montclair State University and Hunter College. He is enjoying an eclectic career, having composed opera, musical theatre, touring children’s musicals, and incidental music for plays; choral music, band music, orchestral music, chamber music, art songs, and music for solo piano; comedy songs, cabaret songs and one memorable score for an amusement park big-headed-costumed-character show. You can find more information here.