Young Donizetti pays his debt to Rossini in Bergamo

Von Renato Verga, 16 November 2019

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Teatro Sociale, Bergamo, am 15 November 2019

Donizetti, Pietro il grande, czar delle Russie

Fondazione Donizetti

Rinaldo Alessandrini, Musikalische Leitung

Marco Paciotti, Regie, Bühnenbild

K.B. Project, Kostüme

Marco Alba, Licht

Loriana Castellano, Caterina

Francisco Brito, Carlo Scavronski

Roberto de Candia, Pietro il Grande

Paola Gardina, Madam Fritz

Marco Filippo Romano, Ser Cuccupis

Tommaso Barea, Firman Trombest

Nina Solodovnikova, Annetta Mazepa

Marcello Nardis, Hondediski

Fabio Tartari, Chorleitung

Coro Donizetti Opera

Gli Originali Orchestra

Lorenzo Pasquali, Regie, Bühnenbild

Shipwrecked: Donizetti’s Il furioso comes a cropper in Bergamo

Mark Pullinger, 16th November

Manuel Renga’s sensitive framing device sets up a sympathetic production of a problematic opera, but is scuppered by the central vocal performance.

***11

At Donizetti Opera Festival: farces flop, young singers impress

Mark Pullinger, 15th November

Il campanello and Deux Hommes et une femme bomb at the Donizetti Opera festival, but the young singers of the Bottega Donizetti – and wily old hand Alessandro Corbelli – impress.

***11

Donizetti’s Caterina Cornaro given a controversial update in Bergamo

Mark Pullinger, 14th November

Francesco Micheli reimagines Caterina Cornaro in a contemporary setting, switching to the historical past, to open this year’s Donizetti Opera festival in the composer’s home town.

****1

Young Sicilian soprano grabs the limelight in Bergamo Don Pasquale

Mark Pullinger, 17th November

They came for Javier Camarena, but cheered Giulia Mazzola to the rafters of the Teatro Donizetti as the third production of this year's festival opens.

***11

A modern makeover for Donizetti’s Zoraida di Granata

Mark Pullinger, 16th November

Bruno Ravella's effective production was seen in Wexford in its original 1822 version, but Donizetti Opera opts for the composer's 1824 revision, throwing the spotlight onto Cecilia Molinari's excellent Abenamet.

***11

Tudor history, gothic thrills: Roberto Devereux in Bergamo

Mark Pullinger, 15th November

Is Roberto Devereux the finest of Donizetti's four Tudor operas? Stephen Langridge's stylish, stylised production and a wonderful cast under Riccardo Frizza make a great case for it.

****1

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Renato Verga

Renato graduated from Turin University in Physics. He has always had a particular passion for music and the stage. A former member of a choir, he was raised in the musical milieu influenced by the eminent Italian musicologist Massimo Mila. In 2014, Renato started his own blog, which now has 1000 posts.

Pietro il Grande, Czar delle Russie: young Donizetti pays his debt to Rossini