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Pietro il Grande, Czar delle Russie: young Donizetti pays his debt to Rossini

Par Renato Verga, 16 novembre 2019
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Critique faite à Teatro Sociale, Bergamo, le 15 novembre 2019
Programme
Donizetti, Pietro il grande, czar delle Russie
Artistes
Fondazione Donizetti
Rinaldo Alessandrini, Direction
Marco Paciotti, Mise en scène, Décors
K.B. Project, Costumes
Marco Alba, Lumières
Loriana Castellano, Caterina
Francisco Brito, Carlo Scavronski
Roberto de Candia, Pietro il Grande
Paola Gardina, Madam Fritz
Marco Filippo Romano, Ser Cuccupis
Tommaso Barea, Firman Trombest
Nina Solodovnikova, Annetta Mazepa
Marcello Nardis, Hondediski
Fabio Tartari, Chef de chœur
Coro Donizetti Opera
Gli Originali Orchestra
Lorenzo Pasquali, Mise en scène, Décors
Voir plus de critiques Opéra
Shipwrecked: Donizetti’s Il furioso comes a cropper in Bergamo
Mark Pullinger, 16th November
Manuel Renga’s sensitive framing device sets up a sympathetic production of a problematic opera, but is scuppered by the central vocal performance.
***11
At Donizetti Opera Festival: farces flop, young singers impress
Mark Pullinger, 15th November
Il campanello and Deux Hommes et une femme bomb at the Donizetti Opera festival, but the young singers of the Bottega Donizetti – and wily old hand Alessandro Corbelli – impress.
***11
Donizetti’s Caterina Cornaro given a controversial update in Bergamo
Mark Pullinger, 14th November
Francesco Micheli reimagines Caterina Cornaro in a contemporary setting, switching to the historical past, to open this year’s Donizetti Opera festival in the composer’s home town.
****1
Young Sicilian soprano grabs the limelight in Bergamo Don Pasquale
Mark Pullinger, 17th November
They came for Javier Camarena, but cheered Giulia Mazzola to the rafters of the Teatro Donizetti as the third production of this year's festival opens. 
***11
A modern makeover for Donizetti’s Zoraida di Granata
Mark Pullinger, 16th November
Bruno Ravella's effective production was seen in Wexford in its original 1822 version, but Donizetti Opera opts for the composer's 1824 revision, throwing the spotlight onto Cecilia Molinari's excellent Abenamet. 
***11
Tudor history, gothic thrills: Roberto Devereux in Bergamo
Mark Pullinger, 15th November
Is Roberto Devereux the finest of Donizetti's four Tudor operas? Stephen Langridge's stylish, stylised production and a wonderful cast under Riccardo Frizza make a great case for it. 
****1
Plus de critiques...
Lire critiques de
Coro Donizetti OperaFabio TartariFondazione DonizettiFrancisco BritoGaetano DonizettiGli Originali OrchestraLoriana CastellanoMarcello NardisMarco AlbaMarco Filippo RomanoNina SolodovnikovaPaola GardinaRinaldo AlessandriniRoberto de CandiaTommaso Barea
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Renato Verga
Renato Verga
Renato graduated from Turin University in Physics. He has always had a particular passion for music and the stage. A former member of a choir, he was raised in the musical milieu influenced by the eminent Italian musicologist Massimo Mila. In 2014, Renato started his own blog, which now has 1000 posts.