Tetzlaff redefines clarity with the National Symphony Orchestra

Von Sydney Boyd, 26 Januar 2020

Laden, bitte warten...

Veranstaltung anzeigen

“The tempos fell flawlessly, the dynamics blooming and fading meticulously”

Rezensierte Veranstaltung: Kennedy Center: Concert Hall, Washington, am 24 Januar 2020

Dvořák, Karneval-Ouvertüre, Op.92

Dvořák, Violinkonzert in a-Moll, Op.53

Schumann, Symphonie Nr. 2 in C-Dur, Op.61

Christian Tetzlaff, Violine

National Symphony Orchestra

Christoph Eschenbach, Musikalische Leitung

Im Zeichen der Manierismen

Simon Haasis, 9th February

Lang Lang, Christoph Eschenbach und das National Symphony Orchestra Washington zu Gast im Wiener Konzerthaus.

***11

Hilary Hahn y la NSO interpretan un concierto de película

Jorge Baeza Stanicic, 18th February

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

****1

Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

Susan Stempleski, 12th February

Gianandrea Noseda leads glowing performances of Berg and Beethoven, while James Ehnes shines in Korngold's Violin Concerto .

****1

Young and Lamsma bring levity to National Symphony Orchestra

Sydney Boyd, 20th November

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

****1

NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

****1

National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

****1

Weitere Kritiken...

Sydney Boyd

Sydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She has a Ph.D. in English literature from Rice University, where she currently holds a post-doctoral Spatial Studies fellowship in the Humanities Research Center.