Handel's Elpidia unearthed by Opera Settecento

Von Dominic Lowe, 01 April 2016

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Veranstaltung anzeigen

“Erica Eloff... tossed off countless high notes with great panache”

Rezensierte Veranstaltung: St George's, Hanover Square, London, am 31 März 2016

Händel, L'Elpidia, overo Li rivali generosi, HWV A1

Opera Settecento

Leo Duarte, Musikalische Leitung

Erica Eloff, Elpidia

Rupert Enticknap, Olindus

Maria Schellenberg, Rosmilda

Ru Charlesworth, Vitiges

Christopher Jacklin, Belisario

Joseph Bolger, Ormonte

Orchestra of Opera Settecento

Lucio Papirio bei den digitalen Händel-Festspielen Halle

Jens Klier, 30th May

Zur Aufführung gelangte ein neuzeitlich premiertes Opern-Pasticcio, dem das junge Ensemble mit innewohnender Entdeckerlust und stimmlichen Fähigkeiten zu einem – damals noch versagten – Erfolg verhalf.

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Hidden princes: Hasse's Demetrio from Opera Settecento

Dominic Lowe, 21st September

The enterprising forces of Opera Settecento brought the nearly forgotten music of Hasse's Demetrio to the Cadogan Hall, and in the process showed that this composer can easily match his more popular contemporaries.

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Cut-and-shut Baroque: Handel's Catone in Utica

Charlotte Valori, 17th March

Metastasio's tale of noble Roman suicide was made into a pasticcio by Handel in 1732: and, after 283 years of silence, returned to the London stage as part of the 2015 London Handel Festival.

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Vivaldi's Griselda launches Opera Settecento

Nahoko Gotoh, 18th September

When compared to the operas of Handel, Vivaldi’s operas are still relative rarities either on stage or in concert. There have been a handful of performances in UK in the last five years...

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Vivaldis Il Giustino mit Jacobs und dem Freiburger Barockorchester

Jens Klier, 21st April

Jacobs, FBO und exzellenter Gesangscrew gelingt es als Ensemble im ureigensten Wortsinne, Atmosphäre und Figuren effektstark zu veranschaulichen.

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Anna Netrebko glänzt in Wiens zeitloser Tosca

Laura Servidei, 18th April

In einer Welt, in der Operninszenierungen oft ins Abstrakte abgleiten, bietet die „Tosca“ der Wiener Staatsoper eine erfrischende Rückkehr zur Tradition – und Anna Netrebko liefert eine großartige Darbietung.

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Weitere Kritiken...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Generous rivals? Handel's Elpidia unearthed by Opera Settecento