Gripping Budapest revival of Iphigenie holds true to Gluck's aims

Natália Tuznik (Iphigenie)

Iphigenie auf Tauris

Károly Szemerédy (Thoas) and Natália Tuznik (Iphigenie)

Von George Jahn, 08 Mai 2023

Laden, bitte warten...

Veranstaltung anzeigen

“Natália Tuznik endowed the title role with vocal and dramatic emotional impact”

Rezensierte Veranstaltung: Hungarian State Opera: Auditorium, Budapest, am 6 Mai 2023

Gluck, Iphigénie en Tauride

Hungarian State Opera

Levente Török, Musikalische Leitung

Róbert Alföldi, Regie

Robert Menczel, Bühnenbild

Fruzsina Nagy, Kostüme

Hungarian State Opera Orchestra

Natália Tuznik, Iphigénie

Zsolt Haja, Oreste

Zoltán Megyesi, Pylade

Károly Szemerédy, Thoas, König der Skythen

Gabriella Rea Fenyvesi, Diane

Ambrogio Maestri gibt Budapester Falstaff Auftrieb

David Karlin, 22nd May

Der große Mann im Fettanzug dominiert die Show und gibt dem Falstaff der Ungarischen Staatsoper Elan und Lebensfreude.

****1

Glänzende Turandot an der Ungarischen Staatsoper

Jenny Camilleri, 30th January

Aufregend dirigiert und überwiegend gut gesungen sollte diese üppige aber schnörkellose Turandot sowohl Traditionalisten und abenteuerlustige Operngänger erfreuen.

***11

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

Weitere Kritiken...

George Jahn

George Jahn is the former Vienna bureau chief of The Associated Press. During his 35-year career at the global news organization, he covered wars, politics... and opera, reviewing productions at the Vienna State Opera, the Salzburg Festival, Bayreuth Festival and other houses in Austria and Germany. He has also written for Opera Now and International Piano magazines in London. Those he has interviewed include Matthias Goerne, Vesselina Kasarova, Thomas Hampson and Mariss Jansons. George holds or shares awards for his reporting on U.N. affairs and for his coverage of the Bosnian war. A Canadian/Hungarian citizen, he splits his time between residences in Vienna and Budapest.