Highly concentrated playing from Benjamin Grosvenor at the Drill Hall, Horsham

Von Hazel Rowland, 23 September 2013

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Drill Hall, Horsham, am 21 September 2013

Mendelssohn Bartholdy, Rondo capriccioso in E-Dur, Op.14

Schubert, Impromptu no. 3 in G flat major, D.899

Schumann, Humoreske B-Dur, Op.20

Mompou, Paisajes

Medtner, Two Fairy Tales

Ravel, Valses nobles et sentimentales, für Orchester

Liszt, Paraphrase on a Waltz from Gounod's "Faust", S 407

Benjamin Grosvenor, Klavier

Petrenko’s searing Shostakovich overshadows Grosvenor’s Beethoven

Nick Boston, 3rd February

Stylish Beethoven from Benjamin Grosvenor and dramatic Ustvolskaya from Yuriy Yurchuk, but Petrenko and the RPO’s blistering Shostakovich steals the show.

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Sinfonia of London makes international debut at the Concertgebouw

Clare Varney, 25th November

British pianist Ben Grosvenor joins the Sinfonia of London in Amsterdam for Rachmaninov’s Second Piano Concerto showcasing the very best of British talent

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Benjamin Grosvenor plays Pictures at an Exhibition at the Southbank

Roy Westbrook, 24th October

Benjamin Grosvenor tackles pianistic beasts by Chopin, Ravel and Mussorgsky in his Queen Elizabeth Hall recital.

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Nail-biting Shostakovich from the BBC National Orchestra of Wales

Dominic Lowe, 15th August

Before a searing performance of Shostakovich's Thirteenth from Ryan Bancroft and his Welsh forces, Benjamin Grosvenor delivers a terrific performance of Ravel's Piano Concerto in G major.

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Benjamin Grosvenor’s Ravel sparkles in Montreal

Ian Cochrane, 1st May

The British are coming! An exciting evening of Ravel and Vaughan Williams with conductor Andrew Manze and pianist Benjamin Grosvenor in Montreal.

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High voltage Shostakovich 10 from Elim Chan and the BBCSO

Mark Pullinger, 28th February

In the 50th anniversary year of Shostakovich's death, you'll be hard pushed to hear a more thrilling rendition of the Tenth Symphony.

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Hazel Rowland

Hazel is in her final year reading music at Oxford University. As well being a classical music reviewer, she has written arts commentary for the Oxford Student and reviewed plays at the Edinburgh Fringe Festival. Her particular interests lies in early German Romantic music and in how classical music functions within contemporary popular culture. Follow her blog here.