Authenticity and spark from Jakub Hrůša

Von Mark Thomas, 08 April 2017

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Royal Festival Hall, London, am 6 April 2017

Brahms, Ungarischer Tanz Nr. 17 in fis-Moll

Brahms, Ungarischer Tanz Nr. 18 in D-Dur

Brahms, Ungarischer Tanz Nr. 19 in h-moll

Brahms, Ungarischer Tanz Nr. 20 in e-Moll

Brahms, Ungarischer Tanz Nr. 21 in e-Moll

Tschaikowsky, Violinkonzert in D-Dur, Op.35

Dvořák, Symphonie Nr. 8 in G-Dur, Op.88

Julian Rachlin, Violine

Jakub Hrůša, Musikalische Leitung

Philharmonia Orchestra

Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie

Stefan Pillhofer, 1st October

Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.

***11

Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft

Sebastian Urmoneit, 24th April

Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.

*****

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Renes replaces Runnicles in a remarkable Philharmonia Bruckner 8

Dominic Lowe, 19th February

Stepping in for Sir Donald Runnicles at very short notice, Lawrences Renes conducts the Philharmonia in a sleek and vivid reading of Bruckner's magisterial Eighth Symphony.

****1

Weitere Kritiken...

Mark Thomas

A lifelong devotee of classical music, Mark caught the bug after listening to The Planets, The Rite of Spring and Beethoven’s Fifth when he was knee-high to a grasshopper. He has degrees in non-musical subjects and currently works as a Chartered Governance Professional, but these have proved to be mere distractions from the wonders of sonatas, concertos and symphonies. He has been reviewing for Bachtrack since 2016, plays viola and violin (very shakily) and used to sing a bit (even more shakily).

The real deal: authenticity and spark from Jakub Hrůša and Philharmonia in Dvořák 8