A Wagner rarity: no wine, no women and no carnival either!

Von Alexander Hall, 26 Oktober 2015

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Cadogan Hall, London, am 25 Oktober 2015

Wagner, Das Liebesverbot (The Ban on Love),

Chelsea Opera Group

Anthony Negus, Musikalische Leitung

Helena Dix, Isabella

Elizabeth Cragg, Dorella

Kirstin Sharpin, Mariana

Toby Girling, Antonio

Peter Hoare, Claudio

Paul Curievici, Luzio

David Soar, Friedrich

Nicholas Folwell, Brighella

Piran Legg, Danieli

Chelsea Opera Group Orchestra

Nuns on the run: Le Comte Ory

Mark Pullinger, 25th June

Italian swagger and French farce combining to raise some much needed laughs despite the restrictions of a concert performance at Cadogan Hall.

***11

At it hammer and tongs: Chelsea Opera Group's Trovatore

Dominic Lowe, 28th February

A spirited performance of Verdi's beloved work highlighted the virtues of opera in concert.

***11

Ernani: Sweltering heat, Spanish passions

Mark Pullinger, 3rd July

Rarely performed, Verdi's fifth opera Ernani is full of fiery passions, with a relentless flow of melodic invention, as heard in this concert performance by Chelsea Opera Group.

***11

To Paradise and back: a thrilling Roi de Lahore

Mark Pullinger, 1st March

Chelsea Opera Group presents the strongest case imaginable for Massenet’s Le Roi de Lahore, with Michael Spyres, no less, as the King.

****1

Vivaldis Il Giustino mit Jacobs und dem Freiburger Barockorchester

Jens Klier, 21st April

Jacobs, FBO und exzellenter Gesangscrew gelingt es als Ensemble im ureigensten Wortsinne, Atmosphäre und Figuren effektstark zu veranschaulichen.

****1

Anna Netrebko glänzt in Wiens zeitloser Tosca

Laura Servidei, 18th April

In einer Welt, in der Operninszenierungen oft ins Abstrakte abgleiten, bietet die „Tosca“ der Wiener Staatsoper eine erfrischende Rückkehr zur Tradition – und Anna Netrebko liefert eine großartige Darbietung.

****1

Weitere Kritiken...

Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Das Liebesverbot: A Wagner rarity with no wine, no women and no carnival!