At it hammer and tongs: Chelsea Opera Group's Trovatore

Von Dominic Lowe, 29 Februar 2016

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Cadogan Hall, London, am 28 Februar 2016

Verdi, Il trovatore

Chelsea Opera Group

Andrew Greenwood, Musikalische Leitung

Roland Wood, Il Conte di Luna

Marianne Cornetti, Azucena

Sally Silver, Leonora

Jonathan Stoughton, Manrico

Jihoon Kim, Ferrando

Natasha Jouhl, Ines

Samuel Smith, Ruiz

Chelsea Opera Group Orchestra

Nuns on the run: Le Comte Ory

Mark Pullinger, 25th June

Italian swagger and French farce combining to raise some much needed laughs despite the restrictions of a concert performance at Cadogan Hall.

***11

A Wagner rarity: no wine, no women and no carnival either!

Alexander Hall, 25th October

The Chelsea Opera Group give a concert performance of Wagner's early opera Das Liebesverbot conducted by Anthony Negus.

***11

Ernani: Sweltering heat, Spanish passions

Mark Pullinger, 3rd July

Rarely performed, Verdi's fifth opera Ernani is full of fiery passions, with a relentless flow of melodic invention, as heard in this concert performance by Chelsea Opera Group.

***11

To Paradise and back: a thrilling Roi de Lahore

Mark Pullinger, 1st March

Chelsea Opera Group presents the strongest case imaginable for Massenet’s Le Roi de Lahore, with Michael Spyres, no less, as the King.

****1

Vivaldis Il Giustino mit Jacobs und dem Freiburger Barockorchester

Jens Klier, 21st April

Jacobs, FBO und exzellenter Gesangscrew gelingt es als Ensemble im ureigensten Wortsinne, Atmosphäre und Figuren effektstark zu veranschaulichen.

****1

Anna Netrebko glänzt in Wiens zeitloser Tosca

Laura Servidei, 18th April

In einer Welt, in der Operninszenierungen oft ins Abstrakte abgleiten, bietet die „Tosca“ der Wiener Staatsoper eine erfrischende Rückkehr zur Tradition – und Anna Netrebko liefert eine großartige Darbietung.

****1

Weitere Kritiken...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

At it hammer and tongs: Chelsea Opera Group's Il trovatore at Cadogan Hall