Dinis Sousa makes his Philharmonia debut in Brahms and Dvořák

Steven Isserlis

Von Dominic Lowe, 26 November 2022

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Veranstaltung anzeigen

“Isserlis’ playing bordered at times on the prayerful”

Rezensierte Veranstaltung: Royal Festival Hall, London, am 24 November 2022

Dvořák, Cellokonzert in h-Moll, Op.104

Brahms, Symphonie Nr. 4 in e-Moll, Op.98

Dinis Sousa, Musikalische Leitung

Steven Isserlis, Cello

Philharmonia Orchestra

Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie

Stefan Pillhofer, 1st October

Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.

***11

Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft

Sebastian Urmoneit, 24th April

Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.

*****

Benedetti ablaze with the Philharmonia

Christopher Woodley, 19th April

As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.

*****

A Resurrection for the ages: Kent Nagano conducts the Philharmonia

Eleanor Knight, 19th March

Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special.

*****

A brilliant UK premiere of John Adams’ After the Fall

David Karlin, 25th February

The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.

****1

Renes replaces Runnicles in a remarkable Philharmonia Bruckner 8

Dominic Lowe, 19th February

Stepping in for Sir Donald Runnicles at very short notice, Lawrences Renes conducts the Philharmonia in a sleek and vivid reading of Bruckner's magisterial Eighth Symphony.

****1

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.